Asia Art Archive in India (AAA in I) and Sher-Gil Sundaram Arts Foundation (SSAF) are pleased to announce that Shrujana Niranjani Shridhar is the grantee for the SSAF–AAA Research Grant for Histories of Ideas, Art Writing, and Visual Culture 2019.

Made possible through a collaboration between AAA in I and SSAF, this grant is offered for a period of one year to a research proposal selected by a jury following an open call in November 2018. This year’s three-member jury comprises historian Janaki Nair, film and culture theorist Ashish Rajadhyaksha, and AAA in I Senior Researcher Sneha Ragavan. Shridhar’s grant will commence on 1 May 2019.

Shridhar’s project, “Architects of a Literary Revolution: Unpacking the Connections and Aesthetic of the Dalit Panther and Little Magazine Movements,” proposes to research and document the intersection between the little magazine movement (1960s–70s) in Maharashtra, and the Dalit Panther movement (1970s–80s) in the same region. This research stems from Shridhar’s work with the Dalit Panther Archive, an independent collective she co-founded in 2016, to document the vibrant history, politics, art, and literature of the Ambedkarite movement in Maharashtra in the 1970s, with a specific focus on the Dalit Panthers. The work of the Dalit Panthers brings together aesthetic and political intent and, though widely recognised as a landmark in radical aesthetics, has been poorly researched and documented. With this grant, Shridhar aims to explore a key intervention into the little magazine movement in Maharashtra—one that saw major political interventions alongside experiments with literary and visual form. These experiments have manifested in diverse print modes including booklets, pamphlets, postcards, inland letters, and posters.

The jury was impressed with Shridhar’s ongoing research initiative to build an archive of the Dalit Panthers, and her framing of the Panthers as not just an organisation but a movement that had significant ramifications for political life in contemporary India. She demonstrated an astute understanding of the visual and political vocabulary of the Panthers, which will enable her to trace the specifics of their engagement with the little magazine movement in Maharashtra, as well as unpack the experimental aesthetics of their printed materials, and the pivotal role these aesthetics played in the emergence of a counter-public alongside the production of alternative visual and political sensibilities. Shridhar sees continued traces of such aesthetics in cover designs and illustrations from the region even today.

As these materials are scattered across the personal archives of various individuals associated with these movements, Shridhar’s work will be an important step towards their consolidation and recirculation. Her approach is marked by sensitivity towards the people who wrote, possessed, or otherwise contributed to the making and preservation of these materials, and their roles frame her archival ambition. While she is familiar with the feminist critique of the Dalit Panthers, she is keen to conduct interviews with women activists and thinkers of the time to ensure that their own narratives find a place in her archive. The materials Shridhar digitises as part of this grant will contribute to the Dalit Panther Archive, and thus will be freely and publicly accessible (should permissions from their holders be granted). Facsimiles of printed materials will also be distributed to local public libraries in the region for wider public access. Shridhar’s project is thus an important and timely contribution to a relatively underdeveloped area of research.

 

THE GRANTEE

Shrujana Niranjani Shridhar is an illustrator and designer practising in Mumbai. She completed her Diploma in Visual Communication and Art from Srishti Institute of Art, Design and Technology, Bangalore. In 2016, she co-founded the Dalit Panther Archive to document the Dalit Panther movement of the 1970s. Her main research interest is the exploration and definition of a Dalit aesthetic that has existed in the Indian subcontinent for centuries in myriad, heterogeneous forms. Her work examines sociopolitical relations, especially at the intersection of gender, caste, and class.

 

THE JURY

Janaki Nair teaches history at the Centre for Historical Studies, Jawaharlal Nehru University, New Delhi. Her published work includes Mysore Modern: Rethinking the Region Under Princely Rule (2011) and The Promise of the Metropolis: Bangalore’s Twentieth Century (2005). She has curated documentary exhibitions such as Beladide Noda, Bengaluru Nagara! (2000) and dissensus (2014).

Ashish Rajadhyaksha is a film historian, cultural theorist, and occasional art curator. He is co-editor of the Encyclopaedia of Indian Cinema (published in 1999 and 2001 by the British Film Institute). His books include The Last Cultural Mile: An Inquiry into Technology and Governance in India (2011) and Indian Cinema in the Time of Celluloid: From Bollywood to the Emergency (2009). He has curated a number of film and art events, including (with Geeta Kapur) Bombay/Mumbai 1991–2001 for the exhibition Century City: Art and Culture in the Modern Metropolis (Tate Modern, London, 2002); You Don’t Belong (China/Hong Kong, 2012/13); and Tah-Satah: A Very Deep Surface: Between Film and Video (Jawahar Kala Kendra, Jaipur, India).

Sneha Ragavan is Senior Researcher and Projects Lead for Asia Art Archive in India, based in New Delhi. She conceptualises and leads research initiatives on modern and contemporary art. She has led projects on creating digital bibliographies of art across multiple languages, digitised artist archives, and co-organised seminars and workshops around archiving and educational resources.

 

ABOUT SSAF

The Sher-Gil Sundaram Arts Foundation was established in 2016 with the mandate to carry forward the legacy of scholar and photographer Umrao Singh Sher-Gil (1870–1954); his daughter and pioneer in modern Indian art, Amrita Sher-Gil (1913–41), and her nephew and niece Vivan Sundaram and Navina Sundaram.

SSAF seeks to enable conjunctions of artistic and cultural practice that deal with historical memory and build expectations for the future. It commits itself to advancing creative independence for art that is founded on freedom of expression, and that is secular and internationalist.

 

ABOUT AAA IN I

Asia Art Archive in India (AAA in I) was established in 2013 in New Delhi, with an on-site digital collection open to visitors. It organises projects, workshops, and programmes to build archival collections and educational resources, and to facilitate dialogue and critical thinking around modern and contemporary art from India. AAA in I works in partnership with multiple individuals, organisations, and institutions in fields that share AAA’s values.

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SSAF–AAA Research Grant for Histories of Ideas, Art Writing, and Visual Culture