The collaboration between Sher-Gil Sundaram Arts Foundation (SSAF) and Asia Art Archive in India emerges from AAA’s ongoing engagement with histories of art writing, and its initiatives to map, compile, translate, and republish texts from various contexts. This grant is in line with SSAF’s commitment to work with cross-disciplinary initiatives addressing the oppressed and the marginalised, and alternative and heterodox practices in the arts and intellectual work.
The Sher-Gil Sundaram Arts Foundation was established in 2016 with the mandate to carry forward the legacy of scholar and photographer Umrao Singh Sher-Gil (1870–1954); his daughter and pioneer in modern Indian art, Amrita Sher-Gil (1913–41), and her nephew and niece Vivan Sundaram and Navina Sundaram.
SSAF seeks to enable conjunctions of artistic and cultural practice that deal with historical memory and build expectations for the future. It commits itself to advancing creative independence for art that is founded on freedom of expression, and that is secular and internationalist.
The Research Grantees
Duggal’s project proposes to study communist, in particular Naxalite, periodicals from the late 1960s until the movement’s aftermath in the mid-1990s in Punjab. With a focus on the intersection of politics and aesthetics, the magazines this research examines include Rohley Baan (Raging Arrows), Siar (Furrow), and Surkh Rekha (Red Line), all of which featured visuals across several idioms, both on their covers and within their pages.
Shrujana Niranjani Shridhar
Shridhar’s project proposes to research and document the intersection between the little magazine movement (1960s–70s) in Maharashtra, and the Dalit Panther movement (1970s–80s) in the same region. This research stems from Shridhar’s work with the Dalit Panther Archive, an independent collective she co-founded in 2016, to document the vibrant history, politics, art, and literature of the Ambedkarite movement in Maharashtra in the 1970s, with a specific focus on the Dalit Panthers.