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Exhibition
Talk
Teaching Labs | Educator Programmes
Li Xiaojiang reflects on her work at the Women’s Culture Museum in Shaanxi, and the need for new ways of centring women’s cultural legacies
How does AAA make decisions about what it collects? Jane DeBevoise and Anthony Yung discuss AAA’s China projects in relation to this query
Nilima Sheikh discusses the histories and materiality of four natural pigments from her studio space in Baroda
Christina Yuen Zi Chung looks at gender-themed art exhibitions and their relation to feminist discourse in Hong Kong
Recommended readings on women artists practising after the end of the Cultural Revolution
Phoebe Wong selects five books on women artists in Hong Kong
A look at Salima Hashmi's writing on women artists in Pakistan
A look at an image taken at the Kasauli Art Centre Artist Workshop in 1978
Roee Rosen discusses the challenge of allowing fiction to overwhelm through its excess
The artist reveals her interest in food as an artistic medium and discusses the reality of being a female artist in China today
Reiko Tomii situates 1960s Japanese art in the world history of modern and contemporary art
The Vietnamese artist talks about salt workers, her shift away from provocative imagery, and her work with Nhasan Studio in Hanoi
The Indonesian artist discusses global citizenship, the prevalence of maps in her work, and the secret that haunts her family
The artist discusses the influences on her performance artwork, her interest in fairy tales, and her experiences studying with Marina Abramovic
The Pakistani artist discusses taxidermy, art schools in Pakistan, and the outside world’s perception of art from her country
The Korean artist examines her interest in the historical memory of space and her reasons for using media in her artwork
The Hong Kong artist discusses the evolution of her work, as well as her practice in relation to audience, literature, and sound
The Macanese artist discusses her projects exploring language, family, and meditation
The Taiwanese artist talks about her work, her collaborations with communities, and the art scene in Taiwan
Ringo Bunoan highlights three female artists who came to prominence in the 1970s–1980s
