'As an alternative form of publication, this zine was put together to replace the typical exhibition catalogue. Being well aware of the impermanent nature of exhibitions, each artist was engaged to consider the printed form as an extension to the exhibition format, where the artist could either consider the zine as the b-side, bootleg recording, footnote or `the making’ of this exhibition. Each artist was given 2 double spreads to either elaborate on their ideation process, share their research findings in relation to the work fabricated for this show, or to provide insight into subject and methodology of which they have been immersing themselves with throughout their practise.' - excerpted from editor's note.
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