This book is a collection of essays by Noi Sawaragi first published as a monthly column in Bijutsu Techo art magazine from July 1996 to June 1997. The author tries to revisit and reconstruct art history in the post-war Japan by carefully reviewing each of its three essential elements, namely, 'Japan', 'Modern', and 'Art'. Citing works by earlier art critics Ichiro Hariu, Shigeo Chiba and Atsushi Miyakawa, the author questions whether there is such thing as Japanese modern art history. With bibliography and index.
Title type
Translated
Access level
Onsite
author
publisher
Location code
REF.SAN4
Language
Japanese
Keywords
Publication/Creation date
1998
No of pages
400
ISBN / ISSN
9784104214013
No of copies
1
Content type
monograph
Chapter headings
閉じられた「円環の彼方」は？
九十年代日本の「前衛」
スキゾフレニックな日本の私I
スキゾフレニックな日本の私II
日本・現代・美術
バリケードの中のポストモダン
「もの派」と「もののあはれ」
裸のテロリストたち
芸術である、だけど犯罪である
日本の熱
アンフォルメル以前
芸術は爆発だ
暗い絵
Japan·Modern·Art, 日本・現代・美術
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