'The '85 Movement was the first nation wide avant-garde movement in the 20th century Chinese art history. Around the mid-1980s, about 100 self-organized art groups simultaneously emerged in the all provinces in China, it turned a storm wave which has profoundly influenced the Chinese contemporary art in the last two decades. As critics or artist, all the authors of this book were involved into the '85 Movement. The book describes the activities ideas of the art groups with enormous first-hand historical sources and materials. In the meantime, the authors also draw a clear picture of the various new modern art trends as well as its impact on traditional art in the ten years after the end of the Cultural Revolution. It gives a better understanding of the historical significance and social role of the '85 Movement in contemporary Chinese art history. As a whole, this book consists of two volumes, one is the history part, the other anthology of historical sources.'  (Back Cover,  The '85 Movement: The Enlightenment of Chinese Avant-Garde)

This book is a revised edition of Zhongguo dangdai meishushi 1985-1986 (A History of Contemporary Chinese Art 1985-1986) co-authored by Gao Minglu, et al, published in 1991 by Shanghai renmin chubanshe. The present publication is the first volume of The '85 Movement series. Please note that the second volume entitled The '85 Movement: An Anthology of Historical Sources with the same location code is also available in the AAA Collection. 


Alternative title

'85 Mei shu yun dong:80 nian dai de ren wen qian wei

Access level

Onsite

Location code REF.GML
Language

Chinese - Simplified

Keywords

art history

85 New Wave

China

Publication date

2008

Edition

1

No of pages

550

ISBN / ISSN

9787563370665

No of copies

2

Content type

anthology

Chapter headings
新時期美術概觀(1976-1984)
人的覺醒
藝術-”真、善、美”的復歸
”文革”後的理論批評(1979-1984)
一個創作時代的終結-”反精神污染”和”第六屆全國美展”
面對'85前衛思潮的衝擊: 80年代的學院藝術和傳統藝術
從'唯美'到'新學院主義'
觀念更新: 學院中的新一代藝術家
'中國畫已到了窮途末日的時候' -李小山的<我見>
中國畫的現代轉型?
傳統的應戰
理性之潮
人文理性、本體理性和思維理性
北方藝術群體
從'江蘇大型現代藝術展' 到 '紅色•旅'
' '85新空間' 展覽與 '池社'
非群體性的上海美術角
浙江 '紅黑白展覽' 與 '紅色幽默'
谷文達等個體美術家
其他具有理性傾向的群體
生命之流
生命本體、自然意識與宗教情感
從 '雲南、上海新具像' 到 '西南藝術研究群體'
'十一月畫展' 和京津新潮美術
江蘇 '新野性畫派'、'徐州現代藝術展' 及深圳 '零展'
西北的群體與畫家
西南的群體與畫家
中原與各地的群體和畫家
超越與回歸-後 '85的新潮美術
珠海會議-對 '85美術運動的第一次檢閱
'廈門達達' 系列藝術活動
行為參與和作為文化活動的藝術
湖南 '0藝術集團' 與 '湖南青年美術家集群展'
湖北青年美術節
80年代的建築思潮
中國建築的現代性理想
現代環境藝術觀念的興起
後現代主義在中國
建築民族形式的光環
現代美術與文化
中國現代美術運動之景觀
新文化價值與現代中國美術的歷史回顧
中國現代美術運動與新文化價值
文化選擇與語言形態
80年代的美術報刊
中國當代美術編年紀事: 1977-1989
The '85 Movement: The Enlightenment of Chinese Avant-Garde
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