This book is written by Taiwanese curator Huang Chienhong on the interrelationship between space and film, and discusses it by paying special attention to the technique of montage.
By studying a large number of archival documents and reading film footages, the author postulates that montage is not only a technique restricted to film and visual studies, but also in fact a powerful conceptual tool for political, historical, cultural, aesthetic, and cross-disciplinary analyses. Based on montage, the author delivers in-depth readings of specific moving image works and films so as to see how the concepts of time, space and the city have been philosophised, imagined, and critiqued by montage as it is deployed by different moving image practitioners.
Translated
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monograph
蒙太奇的微笑
序曲
大皺摺時間蒙太奇
小皺摺運動蒙太奇
蒙太奇的隱形
蒙太奇的敞性美學
敞性蒙太奇的意志
托樸蒙太奇
虛構如何離散？
蒙太奇的遊牧
書寫空間的蒙太奇
蒙太奇的通屬性
空間微分
跨域的蒙太奇
城市影像的無人稱政勢
蒙太奇的城市事件
跨影像的蒙太奇
置身城市的蒙太奇
影像穿牆術
無攻殼的城市魂
The Smile of Montage: City-Image/Space/Transdisciplinarity, 蒙太奇的微笑/城市影像/空間/跨領域
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