'3 Parallel Artworlds: 100 Art Things from Chinese Modern History takes the position that China's ideological divide of the past century does not mean separate "Chinas", just alternative positions on the project of modernity. The book presents a fresh approach to understanding modern China through the art historical and critical framework of "three parallel artworlds": the world of globalised art; the world of Chinese pre-modern, or literati, art; and the world of socialist revolutionary art. Featuring essays by fourteen internationally prominent art historians, critical theorists and artists, and two documentary sections illustrating and interpreting over 100 artworks, the book seeks to delineate the major forms of art practices that are grounded in these three artworlds; and to demonstrate not only how they continue to inform the Chinese cultural imagination today, but also how they resonate across political and personal boundaries.' - excerpted from the cover page
Onsite
Chinese - Traditional,
English
2015
483
9789881318008
2
monograph,
essay
Foreword: Art Things 30 Years | 前序: 三十年物緣 - CHANG Tsongzung Johnson, 張頌仁
3 Parallel Artworlds (Part I) | 三個平行的藝術世界
Three Parallel Artworlds: The Case of China | 三個平行的藝術世界: 談中國藝術現況 - CHANG Tsongzung Johnson, 張頌仁, Johan Frederik HARTLE
A Post-Socialist Utopia: Pawel Althamer's Golden Humanity | 後社會主義烏托邦: 帕維爾‧阿瑟曼的黃金人性 - Boris GROYS
Three Worlds: What Trajectories Do They Project? | 三個世界: 技射的是何種軌跡 - Eugene Yuejin WANG, 汪悅進
On Curating the Namesless | 對無名的策展 - LIU Tian, 劉畑
Hanart 100: Idiosyncrasies | 偏好: 漢雅一百
Thematic Verses | 主題賦 - GAO Shiming, 高士明
100 Art Things | 一百件藝術物 - CHANG Tsongzung Johnson, 張頌仁
3 Parallel Artworlds (Part II) | 三個平行的藝術世界(第二部分)
Preservation as Art: Thoughts on the 'Hanart 100', Chang Tsong-Zung and The Art of Collecting | 藝術地去保存: 「漢雅一百」展前論張頌仁先生的藝術收藏 - LU Xinghua, 陸興華
30 Years of Art in China-Another Map | 中國藝術三十年: 另一幅地圖 - John RAJCHMAN
Why I Do Ink Painting | 我為什麼要畫水墨 - QIU Zhijie, 邱志傑
Ancestral Land, Fatherland, Motherland | 祖國, 父國, 母國 - HUANG Sunchuan, 黃孫權
Partition as A Productive Space | 裂土分治作為生產性的空間 - Hammad NASAR
Diaspora and Division: The Cold War in Post-Cold War Hong Kong | 離散與分斷: 後冷戰時期香港的冷戰 - CHING Maybo, 程美寶
From Revolutionary to Counter-Revolutionary: Major Trends in Chiese Thought in the Past Century | 從「革命」到「反革命」: 百年中國主流思想的變遷 - WANG Xiaoming, 王曉明
Cultural Revolution Trajectories: The Emergence of an Avant-Garde, and the Violence of Language | 文革軌跡: 前衛的出現與語言的暴力 - Bei Dao, 北島
8 Hanart Projects: 1989-2014 | 八個漢雅項目: 1989-2014 - CHANG Tsongzung Johnson, 張頌仁
The Stars: 10 Years | 星星十年
China's New Art, Post-1989 | 後八九: 中國新藝術
Power of the Word | 文字的力量
Yellow Box | 黃盒子
Homestead | 鄉土計劃
Jia Li Hall | 嘉禮堂
West Heavens | 西天中土
Inter-Asia School | 亞際書院
Afterword: Three Art Worlds and the Historical Structure of the Chinese Contemporary | 後序: 三個藝術世界, 「中國當代」的歷史建構 - GAO Shiming, 高士明
3 Parallel Artworlds: 100 Art Things From Chinese Modern History, 三個藝術世界：中國現代史中的一百件藝術物
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