This publication is produced on the occasion of group exhibition of the same title held at Liang Gallery, Taipei from October to November, 2014.

During the period from 1950s to 1960s, the Taiwan Modern Art Movement reached its peak. It was the most important revolutionary wave of art in post-war Taiwan. On one hand, it changed the creative atmosphere brought to Taiwan by the colonial Japanese system with the with the launch of the New Art Movement. on the other hand, it subverted Chinese 'realism' as the means to 'improve' the traditional thinking of art. Therefore, a big number of art works featuring the concept of 'abstract/symbol/oriental' was produced by many artists. All of these disruptions in the art world in those years influenced leading young artists. In this exhibition, 14 artists are gathered for this joint exhibition to demonstrate the vitality of creativity in post-war Taiwan.

Including artists' chronologies and plates.

Alternative title

Chou xiang, fu ma, dong fang qing: tai wan xian dai yi shu ju jiang da zhan

Access level

Onsite

Location code
EXL.TAI.ASO
Language

Chinese - Traditional, 

English

Publication/Creation date

2014

No of pages

343

ISBN / ISSN

9789869010863

No of copies

2

Content type

catalogue

Chapter headings

陳庭詩現代版畫在戰後台灣的定位 / CHEN Ting-Shih's Modern Printmaking in Post-War Taiwan - a Critique - CHIANG Po-Shin, 蔣伯欣

深耕東方美學的台灣現代景觀藝術先鋒楊英風 / YANG Yu-Yu: Taiwanese Modern Landscape Pioneer Rooted in Oriental Aesthetics - LIAO Hsintien

走向藝術誕生之地:朱為白的藝術實踐 / Walking Towards the Birthplace of Art: CHU Wei Bor's Artistic Practice - LIAO Renyi, 廖仁義

楚戈及其現代水墨改革思想 / CHU Ko and His Revolution on Modern Ink Painting - Pai Shih-Ming, 白適銘

當代華容顏—談吳昊的創作 / Visage of Splendor: On the Art of WU Hao - TAO Wenyueh, 陶文岳

文化認同與中國水墨畫:劉國松六十年的藝術探索 / Cultural Identity and Chinese Ink Painting: LIU Kuo-Sung's Sixty Years of Artistic Exploration - LEE Chunyi, 李君毅

夏陽 / HISA Yan - LAI Hsiangling, 賴香伶

霍剛迴盪符號—幾何空間裡的東方詩情 / HO Kan's Resonant Symbols: The Eastern-style Poetry in a Space of Geometrics - Pedro TSENG, 曾長生

試探莊喆早期結合中西的抽象繪畫 / When the East Meets the West - A Peek into CHUANG Che's Early Abstract Paintings - HUANG Haiming, 黃海鳴

陳正雄 / CHEN Cheng-Hsiung - WANG Hsiuhsiung Frank, 王秀雄

從中國的象徵思考看蕭勤的抽象世界 / HSIAO Chin's Abstract World: Viewed From Chinese Symbolism - KU Shih-Yung, 顧世勇

創建生活美學次序的台灣現代版畫先驅廖修平 / Taiwanese Printmaking Pioneer, LIAO Shiou-Ping, and the Creation of Order in Living Aesthetics - LIAO Hsintien

從「抽象‧符碼‧東方情」的展題切入談台灣現代藝術運動及李錫奇 / A Discussion on LEE Shi-Chi and Taiwan's Modern Art Movement on the Basis of Abstract / Symbol / Oriental - Exhibition of Taiwan's Masters of Modern Art - J.J. SHIH, 石瑞仁

墨染新詩迴旋 視讀李重重的現代水墨世界 / The Poetics and Echoes of New Ink Art: A Visual Interpretation of LEE Chung-Chung's Modern Ink Painting - LIAO Junpei Sapho, 廖潤珮

Abstract / Symbol / Oriental: Exhibition of Taiwan’s Masters of Modern Art
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Abstract / Symbol / Oriental: Exhibition of Taiwan’s Masters of Modern Art, 抽像、符碼、東方情:臺灣現代藝術巨匠大展