In this book, Jürgen Schilling investigates the development of the avant-garde that attempted to overcome the barrier between 'art' and 'life,' and art that challenged and complicated the existing boundaries and cultural hierarchies. Schilling combines historical sweep with detailed examinations of individual artists and works in a narrative that spans from Dada, Futurism and Surrealism, to Pop Art, Fluxus, Happening, Conceptual Art and beyond.
Chinese version, translated by Wu Mali.
'這本論文集,強調以厡始資料呈現行動藝術的發展面貌,旁徵博引多人的論述,是目前為止,最廣泛和深入探討該藝術現象的一本書。作者呈現個別藝術家的表現方式,也涉及其所引發對藝術體制本身的思考,以及對人類社會、政治、文化的全面反省。但做為一種藝術類型,行動藝術也得辛苦面對它所挑戰的資本主義價值體系,而這也正是它永遠無法成為主流藝術的原因所在。' (書背)
Translated
Xing dong yi shu: Yi shu yu sheng huo yi zhi?
Onsite
Chinese - Traditional
art history,  activist art,  political art
1996
363
9789573219422
1
monograph, 
translated text
引言
1/ 先驅者:達達、未來派和超現實派
2/ 無形式和行動繪畫
3/ 封塔那、克萊因、曼佐尼
4/ 普普藝術
5/ 偶發
6/ 福魯克薩斯
7/ 行動藝術和觀念藝術
8/ 普普藝術和行動主義在歐洲
I 新寫實主義者
II 沃爾夫.佛斯帖爾
III 波依斯
IV 維也納行動派
V 「漢堡的線條」
VI 衛.舒爾特和德雷斯勒
VII 零-馬克,匹納,于克
9/ 身體藝術和展演藝術
10/ 市場和美術館
結語
What does this mean?
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.