Monograph of the self-taught Indian artist Jehangir Jani. Fiercely independent of cliques or trends, Jehangir Jani has been a whirlwind of activity since his first canvases were exhibited in 1991. Jani's art uninhibitedly represents experiential realms of sexual and communitarian subcultures as he speaks his political dissent from within these experiences. In accordance with the thematic concerns, his use of various materials also creates uncanny juxtapositions and contradictory possibilities. The fragility of ceramics is juxtaposed with hard, cold sheet metal - through such combinations Jani speaks of the inequality of power in confrontations between minorities and majorities.
Access level

Onsite

artist
Location code
MON.JAJ
Language

English

Publication/Creation date

2006

No of pages

120

ISBN / ISSN

818820465X

No of copies

1

Content type

artist monograph

Chapter headings

Crtitical Interfaces in Jahangir Jani's Artistic Explorations - Shivaji K. PANIKKAR

Jehangir Jani, The Making of 'Peers' - Mortimer CHATTERJEE

Casting an 'Infidel' Head: Relief Sculptures by Jehangir Jani - Nancy ADAJANIA

The Dancer in the Tomb: Jehangir Jani's Transgressive Gesture - Ranjit HOSKOTE

Religious Scores, New-Age Techno Cultures and Museal Tales - Nancy ADAJANIA

Marked by Restraint - Girish SHAHANE

The Otherness of the Self: Jehangir Jani's Recent Paintings - Ranjit HOSKOTE

Painting the Moment - Deeptha ACHAR

Sculpted Watermarks: An Alternate Lyricism - Anupa MEHTA

JJ in Conversation (artist interview by Ratnottama Sengupta)

Alternate Lyricism: Jehangir Jani
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Alternate Lyricism: Jehangir Jani