Public collection, company collection and private collection: on the social acceptance of contemporary art (公共收藏、公司收藏與私人收藏: 談當代藝術的社會接受) - ZHANG Zhaohui, 張朝暉

Who is the master of contemporary art? collector or artist? (當代藝術誰當家？收藏家還是藝術家？) - HUNG Yichen, 洪藝真

Market speculation, or art collection? (市場投資, 還是藝術收藏？) - ZHU Qi, 朱其

The new generation painting and art market (新生派繪畫與藝術市場) - ZHENG Na, 鄭娜

Interview with Lu Fusheng (坐看雲起時─盧輔聖訪談) - QI Lan, 漆瀾

On Jiao Xingtao's new sculpture works (琑屑和廢棄中的道場: 讀焦興濤的雕塑近作) - SUN Zhenhua, 孫振華

Medium and message (媒介和信息) - Jonathan WATKINS

'Moving archive: the 50th anniversary of Kassel Documenta' -- Interview with Zhang Qikai ('卡塞蘭文獻展五十年─移動的檔案館': 張奇開訪談) - ZHANG Aidong

Images without language: on Su Xiaobai's tempera painting (無言的形象：蘇笑柏'漆膠畫'漫議) - GONG Yunbiao, 龔雲表

Review: 'That's all right' Exhibition (評論: 既然 That's all right, 那就看看作品吧)(杭州, 中國) - FU Xiaodong, 傅曉東

Flashlight experimental photography exhibition (鏡頭外的定影與鏡頭內的顯影)

The crisis of southwest art: the criticism intention of 'set out from southwest' contemporary art exhibition (西南藝術展的危機:'從西南出發'當代藝術的批評意圖) - WANG Lin, 王林

Searching for the lost home: analysis on Feng Dakang's oil painting (尋找逝去的家園: 馮大康油畫作品析) - ZHENG Na, 鄭娜

The game between art and right: the 'bad child' art features in Liu Fei's painting (與藝術和權力的游戰: 劉非繪畫中的'壞孩子'藝術特徵) - ZHU Qi, 朱其

Cruel fable: about Bao Zhong's painting (殘酷的寓言: 關於包忠的繪畫) - ZHU Qi, 朱其

On 'The modern transformation of Chinese fine arts' academic seminar (對於中國美術的現代性探詢: '中國美術的現代轉型'學術研討會述要) - TONG Xinxin, 佟欣鑫