This book provides a detailed analysis of the development of Chinese ink painting in the context of contemporary culture. A comparative study of the theories proposed by Shi Tao, Huang Binhong, Pan Tianshou, Chen Zizhuang is provided in the book, together with discussions of works by artists such as Lin Fengmian, Liu Guosong and Xiao Qin.

本書詳細分析了傳統水墨在當代文化大潮中的發展軌跡,比照了石濤、黃賓虹、潘天壽及陳子莊等人提倡的藝術理論,並評述了林風眠、劉國松和蕭勤等藝術家的作品。
Access level

Onsite

Location code REF.WNM
Language

Chinese - Simplified

Publication/Creation date

2006

No of pages

272

ISBN / ISSN

7807250615

No of copies

1

Content type

monograph

Chapter headings
導論: 普遍主義的重要性: 我與水墨爭論
作為描述和作為戰略的現代水墨畫
現代水墨畫: 討論與範圍
新儒學與現代水墨畫的文化保守主義
在專制主義文化中: 新文人畫與其語境
國粹主義的辯護: 中國畫研究與反現代化理論
中國畫創新中的逸格循環: 石濤的理論與黃賓虹, 潘天壽, 陳子莊的比較
寫意與構成的對抗: 中國畫與現代水墨畫
水墨的東方現代化: 從林風眠到台灣現代美術運動到東方主義
當代藝術中的水墨可能性: 命題與問題
Art horizon series: Art must die
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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

Art horizon series: Art must die, 藝術大視野叢書: 藝術必須死亡