Alternative title

(Art Asia Pacific), (Art AsiaPacific), (Art and AsiaPacific)

Access level

Onsite

Location code
PER.AAP (Please ask staff for assistance)
Language

English

Publication/Creation date

2008

Publication status

In print

ISBN / ISSN

10393625

No of copies

2

Content type

magazine/journal/newspaper

Chapter headings

Origins of the Chinese Avant-Garde - Barbara POLLACK

Sundaram Tagore: The Business of Cultural Diplomacy - Ian DRISCOLL

Frank Cohen: Do-it-yourself - Elaine W. NG, 伍穎瑜

Over the Tanggula Pass: Liu Xiaodong's Paintings of Tibet - Tenzing Rigdol

Sam Keller: From Miami Beach to Mumbai - Mallika ADVANI

Square Words, Round Paradigms: Contemporary Calligraphy in China - Eric Otto WEAR, 華立強

Text Appeal: Australasian Text in Images - George ALEXANDER

Young-Hae Chang Heavy Industries: Flash-flood - Lauren CORNELL

Yoko Ono: The Artist in her Unfinished Avant-Garden - H.G. MASTERS

Stream of Consciousness: Tsing Kin-Wah - Andrew MAERKLE

Review:

Activating Korea: Tides of Collective Action (Govett-Brewster Art Gallery, New Plymouth, New Zealand) - John Di STEFANO

Tadashi Kawamata: Walkway (Museum of Contemporary Art, Tokyo, Japan) - Kayo MACHINO, 町野加代子

Qiu Anxiong: Nostalgia (Bund 18 Creative Center, Shanghai, China) - Rebecca CATCHING, 林白麗

Brand New (Bangkok, Thailand) - Brian MERTENS

Praneet Soi: Juggernaut (Project 88, Mumbai, India)

Footprints into the Future (Palazzo Delle Arti Napoli, Naples, Italy) - Luigi FASSI

Horn Please: Narratives in Contermporary Indian Art (Kunstmuseum Bern, Bern, Switzerlands) - Juan GUARDIOLA

Santhal Family: Positions around an Indian Sculpture (Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium) - Hammad NASAR

Good Morning, Mr. Nam June Paik (Korean Cultural Centre UK, London) - Eliza GLUCKMAN

Xu Zhen: Just Did It (James Cohan Gallery, New York) - H.G. MASTERS

Zhan Wang: On Gold Mountain: Sculptures from the Sierra (San Francisco) - Jessica KRAFT

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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

ArtAsiaPacific (No. 58; May/Jun 2008)