(Art Asia Pacific), (Art AsiaPacific), (Art and AsiaPacific)
Onsite
Frank COHEN, 
Tadashi KAWAMATA, 川俣正, 
Sam KELLER, 
LIU Xiaodong, 劉小東, 
Yoko ONO, オノヨーコ, 
Namjune PAIK, 백남준, 
QIU Anxiong, 邱黯雄, 
Praneet SOI, 
Sundaram TAGORE, 
TSANG Kin Wah, 曾建華, 
XU Zhen, 徐震, 
English
art education,  art school,  calligraphy,  Asia Pacific
2008
In print
10393625
2
magazine/journal/newspaper
Origins of the Chinese Avant-Garde - Barbara POLLACK
Sundaram Tagore: The Business of Cultural Diplomacy - Ian DRISCOLL
Frank Cohen: Do-it-yourself - Elaine W. NG, 伍穎瑜
Over the Tanggula Pass: Liu Xiaodong's Paintings of Tibet - Tenzing Rigdol
Sam Keller: From Miami Beach to Mumbai - Mallika ADVANI
Square Words, Round Paradigms: Contemporary Calligraphy in China - Eric Otto WEAR, 華立強
Text Appeal: Australasian Text in Images - George ALEXANDER
Young-Hae Chang Heavy Industries: Flash-flood - Lauren CORNELL
Yoko Ono: The Artist in her Unfinished Avant-Garden - H.G. MASTERS
Stream of Consciousness: Tsing Kin-Wah - Andrew MAERKLE
Review:
Activating Korea: Tides of Collective Action (Govett-Brewster Art Gallery, New Plymouth, New Zealand) - John Di STEFANO
Tadashi Kawamata: Walkway (Museum of Contemporary Art, Tokyo, Japan) - Kayo MACHINO, 町野加代子
Qiu Anxiong: Nostalgia (Bund 18 Creative Center, Shanghai, China) - Rebecca CATCHING, 林白麗
Brand New (Bangkok, Thailand) - Brian MERTENS
Praneet Soi: Juggernaut (Project 88, Mumbai, India)
Footprints into the Future (Palazzo Delle Arti Napoli, Naples, Italy) - Luigi FASSI
Horn Please: Narratives in Contermporary Indian Art (Kunstmuseum Bern, Bern, Switzerlands) - Juan GUARDIOLA
Santhal Family: Positions around an Indian Sculpture (Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium) - Hammad NASAR
Good Morning, Mr. Nam June Paik (Korean Cultural Centre UK, London) - Eliza GLUCKMAN
Xu Zhen: Just Did It (James Cohan Gallery, New York) - H.G. MASTERS
Zhan Wang: On Gold Mountain: Sculptures from the Sierra (San Francisco) - Jessica KRAFT
What does this mean?
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.