'Spanning the globe from Europe, Japan, and the United States to Africa, Cuba, and Mexico, Collectivism after Modernism explores the ways in which collectives function within cultural norms, social conventions, and corporate or state-sanctioned art. Together, these essays demonstrate that collectivism survives as an influential artistic practice despite the art world's star system of individuality. Collectivism after Modernism provides the historical understanding necessary for thinking postmodern collective practice, now and into the future.' back cover
Access level

Onsite

Location code
REF.STB2
Language

English

Publication/Creation date

2007

No of pages

312

ISBN / ISSN

9780816644629

No of copies

1

Content type

anthology

Chapter headings

Introduction: Periodizing Collectivism - Blake STIMSON, Gregory SHOLETTE

Internationaleries: Collectivism, the Grotesque, and Cold War Functionalism - Jelena STOJANOVIC

After the 'Descent to the Everyday': Japanese Collectivism from Hi Red Center to The Play, 1964-1973 - Reiko TOMII, 富井玲子

Art & Language and the Institutional Form in Anglo-American Collectivism - Chris GILBERT

The Collective Camcorder in Art and Activism - Jesse DREW

Performing Revolution: Arte Calle, Grupo Provisional, and the Response to the Cuban National Crisis, 1986-1989 - Rachel WEISS

The Mexican Pentagon: Adventures in Collectivism during the 1970s - Ruben GALLO

Artists' Collectives: Focus on New York, 1975-2000 - Alan W. MOORE

The Production of Social Space as Artwork: Protocols of Community in the Work of Le Groupe Amos and Huit Facettes - Okwui ENWEZOR

Beyond Representation and Affiliation: Collective Action in Post-Soviet Russia - Irina ARISTARKHOVA

Do-It-Yourself Geopolitics: Cartographies of Art in the World - Brian HOLMES

Collectivism After Modernism: The Art of Social Imagination After 1945
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Collectivism After Modernism: The Art of Social Imagination After 1945