This is the monograph of Korean artist Cody Choi, who was born in Korea in the 1960s and moved to the United States in the 1980s. The present publication studies the development of his art from 1986 to 2003. Artist statement and biography are included. With foreword by Kyungmee Park.
Access level

Onsite

Location code
MON.CHC9
Language

English

Publication/Creation date

2003

No of pages

127

No of copies

1

Content type

artist monograph

Chapter headings

1986-1992: Dyspeptic Universe

Dyspeptic Universe, Cody Choi's Pepto-Bismol Paintings - Mike KELLEY

Transparent White Glass/Transparent Black Glass (Dialogue#2) for Ludwig Wittgenstein - Mike KELLEY

The Art of Cody Choi - Jeremy GILBERT-ROLFE

Pepto-Bismol Hit & Overlay/Night Soiler - David PAGEL

1986-1992: Slippage

'A Slippage in the Mirrors', The work of Cody Choi - Saul OSTRAW

1992-1997: Culture/Cuts

Culture/Cuts: Post-Appropriation in the Work of Cody Choi - John C. WELCHMAN

The Thinker - Jeffrey DEITCH

Interview with Cody Choi and Jerry Saltz - Jeffrey DEITCH

1998-2003: New Pictorialism/Database Painting

Many Eternal Returns - Laurence A. RICKELS

Cody Choi: The Electic Child is the Body of Man - Michael COHEN

Interview with Cody Choi and Peter Halley - Peter HALLEY

Cody Choi, XXth Century Artist/XXist Century Artist - John C. WELCHMAN

Artist Statement, 'Twin Trouble' - Cody CHOI, 최코디

Multiplying Difference/Post-Ready Made - Cody CHOI, 최코디

Cultural Shift Hatter: Cody Choi 1986-2003
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In Copyright

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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

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Cultural Shift Hatter: Cody Choi 1986-2003