The publication is produced on the occasion of the group exhibition of the same title held in Korean Cultural Centers in Asian and European countries from November to December 2014.

'Dansaekhwehwa' represents the Korean Art heritage, history and aesthetics. The monochrome style of contemporary Korean art is similar to the US and European minimalist paintings of the 1960s. Artists pursue the pure reality and look for essence of objects. The Korean also share the common aspects of the transformation of the traditional perspective on the nature and the legacy of tradition and its creative transition. The structuring of the flat surface, the neutralization, relationships, originality, spirituality, identification and integration of materiality and painting is based on the modest and restrained attitude of the Korean tradition.
Access level

Onsite

practitioner
Location code
EX.KOR.EFM
Language

English, 

Korean

Publication/Creation date

2014

No of pages

119

ISBN / ISSN

9788998604073

No of copies

1

Content type

catalogue

Chapter headings

Modernism of Korea, or the Modernistic Tradition - JUNG Junmo, 정준모

From a Bowl Emptied and Filled to Painting, Empty fullness: the Poetics of Concept - PARK Kyoungrin

Empty Fullness: Materiality and Spirituality in Contemporary Korean Art
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In Copyright

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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

標籤

Empty Fullness: Materiality and Spirituality in Contemporary Korean Art