Through commissioned texts by writers and an index of 35 selected projects of the artist in alphabetical order by title with photographic illustrations and brief descriptions, The Part In The Story Where We Lost Count Of The Days is an artist book and monograph that reflects on the artistic practice of Singaporean artist Heman Chong.
'Acting as both maker of objects and facilitator of situations, Chong’s work sits at the intersection of multiple genres: visual art, performance, writing, installation and science fiction. This publication was conceived, in part, as a way to engage and unravel these categories and as well as to highlight their overlapping and circuitous nature.' - from the editor's note by Pauline J. Yao
Includes biographies of the artist and contributors.
Onsite
English
2013
260
9780984562558
1
artist monograph,
artist book
Editor's Note - Pauline J. YAO, 姚嘉善
Thistle - Tirdad ZOLGHADR
From Consciousness to Consciousness - Claudia PESTANA
Predictive Text: Representations of the Future as a Political Economy - Nav HAQ
Stirling-Sunset: Singaporean Passages 1999 - Ahmad MASHADI
Heman Chong: The Part in the Story Where We Lost Count of the Days
相關內容
行為藝術
本頁的精選書目展示了藝術家、策展人和研究員實驗行為藝術的各種方式。對於某些人而言，行為藝術是一種違抗藝術商品化的方式；對主流敘事的實體干涉，或是逃避國家操控的演繹，而演出則成為在劇場、街頭、咖啡店或私人場地表達的抗議。對於另一些人而言，行為藝術是形式的實驗，是舞蹈、戲劇和電影的轉化、挪用或擴增。
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