Published in conjunction with 'Image of an Exhibition', a project which took place across the UK in 2015 in the form of commissioned works, writings, panel discussions, interviews and exhibition. The project aims at investigating the roles and circulation of photographic documentation of exhibitions and artworks.
'With the knowledge of how these images are used, their creation has become an increasingly considered subject. Asking: if the ease of production and widely circulated distribution of the image of exhibition, slipping from laptop to smartphone with increasing speed and fluidity, circumnavigates the need for the exhibition at all? Artists, curators, archivists, academics and art professionals were invited to respond to this moment, investigating how new image capturing technologies inflect and infect the exhibition space.' - excerpted from the introduction by Nicholas Smith
Includes transcripts of four panel discussions.
A Project Documenting the Changing Use and Roles of Exhibition Photography
Onsite
English
exhibition history,  audience,  visual studies,  social media
2016
165
9781911549000
1
anthology
Introduction
- Nicholas SMITH
Exhibition Collapse
This is a Technical Exercise
- Damian GRIFFITHS
The Work of Art in the Age of Access for All: Musee Imaginaire to Virtual Reality and the Problematics of Imaging Institutions
- Emily MAGNUSON
Exhibition Distributed
Virtual Exhibitions, before the Internet: An Interview with Louisa Riley–Smith
Post Digital Distribution Network: An Interview with Ami Clarke
Liquid Archive
You Press the Button, We Do the Rest
- Nicholas SMITH
Digital Pollination
Ghost Photography
- Tim DIXON
Beyond the Excerpt
- Jamie JENKINSON
I Heard It through the Grapevine
Derek Jarman and Me
- Tom WALKER
A Performance I Saw in 1974
- Sian ROBINSON DAVIES
Endnote
- Hayley DIXON
What does this mean?
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