'In modernity, the museum was the institution that made art accessible to the broader public. An artwork was collected if it was considered beautiful, passionate, engaged, or critical--and primarily if it was deemed historically relevant. But today, with the total availability and saturation of images, the museum has lost its privileged status as the exclusive place for the display of art. In our age of digital media, how does a particular artwork get selected for a museum collection? Which symbolic criteria must this artwork satisfy for it to obtain value? And in what ways does the institution of the museum remain relevant?

Logic of the Collection is framed by Boris Groys's original and provocative proposition: an artwork is considered historically relevant if it fits the logic of the museum collection. In these critical essays, the distinguished philosopher and theorist of art and media analyzes the relationship between the logic of the collection and various modern ideologies. He reflects on the explosion of art production and distribution through the ascendency of digital media as well as the ways in which the accumulated artworks will be collected and preserved in the future, as the potential limits of public and private collections are reached.' - excerpted from the book back

Access level

Onsite

author
Location code
REF.GRB2
Language

English

Publication/Creation date

2021

No of pages

296

ISBN / ISSN

9783956795268

No of copies

1

Content type

monograph

Logic of the Collection
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In Copyright

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Logic of the Collection