This monograph of Meena Park showcases a body of work produced over a period of ten years from 1995 to 2005. Most of Park's work is grounded in a series of research activities that she terms as 'false science'. Lee Chungwoo writes, 'Since 1996, Park has consistently "researched" a new way of representing the world through painting. Her paintings could even be called the "invented history of new painting", a history that answers to a completely new method of representation, which could also be called a "conceptual form of visual perspective". Using a method that is different from previous forms of painting, her paintings counstruct a realism of concjucture (meaning, a sign that forms a relationship between signifier and signified through manipulation).'

With artist biography and essay by Lee Chungwoo who gave a thorough analysis of Park's works, detailing each step of her 'scientific' methodology. Texts in Korean are provided in an attached booklet.
Access level

Onsite

practitioner

Sulki & Min

editor

Sulki & Min

Location code MON.PMN
Language

English, 

Korean

Keywords

painting

Publication/Creation date

2006

No of pages

94

ISBN / ISSN

8995781017

No of copies

1

Content type

artist monograph

Chapter headings
A Diagram-Drawing, Self-Moving, Color-Collecting Machine with a Conceptual Perspective: MeeNa Park - LIM Geunjun, 임근준
On the Conditions of Pictures that Produce Meaning: Interview with MeeNa Park
Meena Park 1995-2005
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In Copyright

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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

Meena Park 1995-2005