Theodor W. Adorno described artworks as windowless monads, for it is through their double character as both autonomous and "fait social" that unsolved antagonisms of reality return in them as immanent problems of form. Socially committed contemporary artists, however, experiment with other spheres of reference. They involve human beings as actors in communicative processes of reality construction, thus creating new spaces of possibility. The "New Relations in Art and Society" conference hosted by the Campus Museum of the Art Collections of the Ruhr-University of Bochum (RUB) considered this challenge.
Taking the exhibition "Mischa Kuball: NEW POTT" and the conference as their starting point, various authors reflected on positions of participation in socially engaged art, discussing theoretical frameworks, artistic projects, and institutional challenges.
Onsite
English,
German
2011
338
9783037641897
1
anthology
New Relations in Art and Society
Delegated Performance: Outsourcing Authenticity
New Communities
Mapping the Region: NEW POTT (Map)
NEW POTT. On a Polyphonic Portrait of a Region
Figures of Participation in Mischa Kuball's NEW POTT
On the Non-Simultaneity and Impossibility of the >Pott<
... The idea that an action should be part of the work has been germinating within me since 1956...
WHAT IF
With >Presence< and >Production< creating Moments of Public
Presupposition of the Equality of Intelligences and Love of the Infinitude of Thought
In the Black Box: Stephen Willats
>Kitchen Stories< - Construction and Contemplation of Social Spaces in the Works of Rirkrit Tiravanija and Liam Gillick
>The dying will show us how he dies.< Aesthetics as a Participatory Concept in Gregor Schneider's Toter Raum
Shapes in Motion: Artistic Models of Participation
You are most welcome to participate
New Relations in Art and Society
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