Through a wide range of case studies from international scholars and practitioners across a variety of fields, the volume maps how oral history interviews contribute to a relational practice that is creative, rigorous and ethically grounded. Oral History in the Visual Arts is essential reading for students, researchers and practitioners across the visual arts.' - from back cover.
Onsite
English
oral history,  art history
2013
212
9780857851987
1
anthology
Introduction: Oral History in and about Art, Craft and Design - Linda SANDINO
Part One: Arts Practices
The Body Event: Voice and Recorded Histories in the Creation of a Sound Installation Based on the Ideas of the Work of Artist John Latham - David TOOP
De Mudder Tongue: Oral History Work as an Arts Practice - Michael MCMILLAN
Private Voices and Public Places: Using Oral Histories in Site-specific Text-based Art - Bettina FURNEE, Ian HORTON
Chronicle from the Field - Alexandra HANDAL
History in the Making; the Use of Talk in Inter-disciplinary Collaborative Craft Practice - David GATES
Part Two: Histories
On Quality: Curators at the San Francisco Museum of Modern Art, (1935-2010) - Richard Candida SMITH
Voices in Art History - Liz BRUCHET
Speaking of Craft: The Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America - Liza KIRWIN
The Museum as a Work of Art: Interviewing Museum Architects, Engineers, and Builders - Anne G. RITCHIE
Oral History Work with Tibetan and Nepalese Metalworkers, (1986-1991) - John CLARKE
The Death of Small Things: The Cork Craftsman's Guild (1973-1984) - Eleanor FLEGG
Part Three: Identities
The Craft of Conversation: Oral History and Lesbian Feminist Art Practice - Ann CVETKOVICH
Crafty Chats or Whose Craft is It Anyway? Domestic Discourse and Making Marginality Matter - Jo TURNEY
Feedsack Fashion in Rural Appalachia: a Social History of Women's Experiences in Ashe County, North Carolina, (1929-1956) - Natalya R. BUCKEL
Covering Up - Claire WILCOX
From Punk to the Hijab: Women's Embodied Dress as Performative Resistance, 1970s to the Present - Shehnaz SUTERWALLA
Becoming an Artist: Life Histories and Visual Images - Maria TAMBOUKOU, Gali WEISS
Narratives in Practice: the Small and Big Stories of Design - Arlene OAK
Conclusion: Oral History and Research Ethics in the Visual Arts: Current and Future Challenges - Matthew PARTINGTON
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