Selected bibliography, reprint sources, index, and information about contributors are provided.
Note: Please ask for assistance if you wish to access this item.
Onsite
Jean FISHER, 
English
2004
431
0262134403
1
anthology
Introduction - Gerardo MOSQUERA, Jean FISHER
Unbound Totalities
Just what is it that makes the term 'Global-Local' so widely cited, yet so annoying? - LEE Wengchoy, 李永財
Globalisation or endless fragmentation? Through the shadow of contradictions - Carlos VIDAL
Autonomy, nostalgia and globalisation: The uncertainties of critical art - Gabriel Peluffo LINARI
When was modernism in Indian art? - Geeta KAPUR
Vanguard of the middle way - CHANG Tsongzung Johnson, 張頌仁
The Millennial intake of humans as opposed to nonhumans, or Who wins the lotto and the role of the arts in the process - Pam JOHNSTON
Transcultural Circuits
Beyond the box: Problematising the 'New Asian Museum' - Rustom BHARUCHA
Encounters and disencounters: A personal journey through many Latin American and U.S. Latino Art Worlds - Carolina PONCE DE LEON
Forms of resistance, corridors of power: Public art on the Mexico-U.S. border - Jose Manuel Valenzuela ARCE
Desperately diasporic - Apinan POSHYANANDA, อภินันท์ โปษยานนท์
Online communities: experimental communication in the virtual diaspora - Jose Luis BREA
Chinese Artists in France - John CLARK, 姜苦樂
Crystal Palace Exhibitions - Marian PASTOR ROCES
Dis-Positions
For opacity - Edouard GLISSANT
Modernity as a mad dog: On art and trauma - Everlyn NICODEMUS
Keeping it real - Kathryn SMITH
Transit visa to postwar Lebanon! - Jalal TOUFIC
The return of the sign: The resymbolisation of the real in Carlos Leppe's performance work - Gustavo BUNTINX
Heteroglossia: The Hermeneutic Trap
The limits of cultural translation - Nikos PAPASTERGIADIS
Researching culture/s and the omitted footnote: Questions on the practice of Feminist Art History - Angela DIMITRAKAKI
Der Glauber have sept cabecas - Jose GATTI
The museological unconscious - Victor TUPITSYN
What does this mean?
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.