'In this expansive study, John Clark draws on decades of his research on modern art cultures across Asia from 1850 to the present day. The Asian Modern uses an artist-focused approach, by way of meticulous cse studies, to create a new comparative paradigm for the narration of art.' —taken from the back cover
Onsite
Victorio EDADES, 
F. X. HARSONO, 
Roberto Bulatao FELEO, 
Simon FLORES Y DE LA ROSA, 
Hiroshi HAMAYA, 濱谷浩, 
Khrua INKHONG, 
Juan LUNA, 
Abdul Latiff MOHIDIN, 
NGUYEN Tu Nghiem, 
Tadashige ONO, 小野忠重, 
PAN Yuliang, 潘玉良, 
K.C.S. PANIKER, 
PARK Seobo, 박서보, 
Margaret PRESTON, 
Raden Saleh, 
Araya RASDJARMREARNSOOK, อารยา ราษฎร์จำเริญสุข, 
Tom ROBERTS, 
Gulammohammed SHEIKH, 
Amrita SHER-GIL, 
Sudjojono, 
Raja Ravi VARMA, 
XU Beihong, 徐悲鴻, 
Goseda YOSHIMATSU, 
John YOUNG, 楊子榮, 
English
modernism,  art history,  Asia
2021
458
2706041189879
1
monograph
Part 1
An Art History to Be Named
- Patrick D. FLORES
Chapter One: The Asian Modern
Chapter Two: Transitions to Modernity, 1850s–1890s
Chapter Three: Academy Realism, Salon Art and the National, 1880s–1910s
Chapter Four: Early Modernism, 1920s–1930s
Chapter Five: Transitions through World War II
Chapter Six: Summary and Conclusions
Part II
Finally, or in Hindsight, the Contemporary
- Patrick D. FLORES
Chapter Seven: Problematics
Chapter Eight: Abstraction and Conceptualism, 1940s–1960s
Chapter Nine: The Contemporary, 1980s to the Present
Chapter Ten: Aleatoric and Fractured Spaces
Chapter Eleven: Conclusion and Rearticulation: The Asian Modern
What does this mean?
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