The Fifth Moon and Eastern Painting Groups were active in post-war Taiwan between 1956/1957 and 1970. Their members were born mainly shortly before the outbreak of the Second World War in Mainland China, and exiled to Taiwan after the end of the war. Modern painting was strongly advocated by these two groups which were considered by many as influential in the art historical development of post-war Taiwan.

This book examines the background of the founding of these two artist groups, their development, as well as how the society responded to their artistic concepts, and opinion and behavior of individual artists.     



'「五月」與「東方」是興起於戰後臺灣畫壇的兩個繪畫團體,其主要活動時間,起自一九五六、五七年之交,終於一九七○年前後;其成員係以出生於戰爭前夕,成長於戰爭期間,戰後流亡來臺的大陸青年為核心。「現代繪畫」是他們積極倡導的藝術理想與追求目標。他們堅毅、明確的言論與行動,成為戰後臺灣第一個具有鮮明主張的美術運動。論者對此二畫會在戰後臺灣美術發展史上的關鍵性地位,看法頗為一致;但對其成就評價,卻有相當歧異的觀點。本書以史實重建的方式,運用大量的史料和作品,對「五月」「東方」的成立背景、歷屆畫展實際作為,以及當時社會對其藝術理念的迎拒過程,和個別的藝術言論與表現,作一全面考察; 企圖對此二頗具爭議性的前衛畫會, 作一公允定位。全書幾近四十萬言,並包括畫家早期、近期作品一百餘幀,是瞭解戰後台灣美術發展的重要參考書籍。' (書背)

Title type

Translated

Alternative title

Wu yue yu dong fang: Zhongguo mei shu xian dai hua yun dong zai zhan hou Taiwan zhi fa zhan

Access level

Onsite

Location code REF.HCR
Language

Chinese - Traditional

Publication/Creation date

1991

No of pages

425

ISBN / ISSN

9571908851

No of copies

2

Content type

monograph

Chapter headings
緒論
師大藝術系與五月畫會之成立
民國以來美術學校之興起
戰後臺灣美術專門學校之中輟
五月畫會之成立
李仲生畫室與東方畫會之成立
戰後初期臺灣畫壇與私人畫室之成立
李仲生與安東街畫室
八大響馬與東方畫會之成立
全省美展與「五月」「東方」之反撥
全省美展之設立
正統國畫之爭
對臺籍西畫家之批判
歷屆畫展及成員流動
東方畫展及成員流動
五月畫展及成員流動
「五月」「東方」之比較
「五月」「東方」引發之質疑與回應
中國現行藝術研究中心與秦松事件
現代畫論戰
「文協」座談會與「現代畫家具象展」
龐圖藝展
「五月」與「東方」之消沈及其後續發展
「五月」與「東方」之消沈
「五月」與「東方」之後續發展
結論
(The Fifth Moon and Eastern Painting Groups: Development of Chinese Fine Arts Modernism Movement in
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The Fifth Moon and Eastern Painting Groups: Development of Chinese Fine Arts Modernism Movement in Post-war Taiwan (1945-1970, 五月與東方:中國美術現代化運動在戰後台灣之發展 (1945-1970)

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