The book contributes to visual and image studies in China. It presents an analysis on how visuality is perceived, imagined and utilized. The discussion covers topics such as the relationship of vision and gender, and eroticism. According to the three different historical eras, namely the late Qing Dynasty, the 20th century and the contemporary time, Rojas brings out their respective characterized visual culture, suggests a theory based on the mirrored images of the Empress in 1903, and elaborates how the theory is historically significant.' - translated from back cover.

Including references.

「本書探討現代中國的視覺影像研究,剖析視覺如何被感知、想像、運用,論述層面包括視覺與性別、欲望等議題。論述按三個不同歷史時刻鋪陳—晚清、二十世紀中,以及當代,各自標誌著不同的主流視覺模式。羅鵬以分析慈禧一九○三年的鏡像照片為起始,透過拉岡的鏡像理論思考影像,最後提出鏡像期理論的歷史意義。」- 節錄自書背。

內含參考書目。
Alternative title

Luo guan: guan yu zhong guo xian dai xing de fan si

Access level

Onsite

author

Carlos ROJAS

Location code REF.ROC2
Language

Chinese - Traditional

Publication/Creation date

2015

No of pages

335

ISBN / ISSN

9789863442059

No of copies

1

Content type

monograph

Chapter headings
引言:漫遊的凝視
第一部:鏡像
第一章:鏡像與視覺的邊界
第二章:李汝珍與笑猿
第三章:陳森與性別貨幣
第二部:觀看
第四章:無名氏與圖像戀物
第五章:金庸與圖解民族主義
第六章:張愛玲與相片懷舊
第三部:屏幕投射
第七章:李永平與鏡像地圖
第八章:高行健與母親的相片
第九章:王朔與歷史肖像
第十章:朱天文與電影陰影
The Naked Gaze: Reflections on Chinese Modernity
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The Naked Gaze: Reflections on Chinese Modernity, 裸觀:關於中國現代性的反思