Onsite
English
performance studies,  cultural studies,  performance art
2004
Second
394
9780415772754
1
anthology
Introduction - Henry BIAL
Part I: What is performance studies?
1 Performance studies: the broad spectrum approach - Richard SCHECHNER
2 Disciplines of the text: sites of performance - W.B. WORTHEN
3 The liminal-norm - Jon McKENZIE
4 Professing performances: disciplinary genealogies - Shannon JACKSON
5 Performance studies - Barbara KIRSHENBLATT-GIMBLETT
6 Performance studies in an age of terror - John BELL
Part II: What is performance?
7 Performances: belief in the part one is playing - Erving GOFFMAN
8 Blurred genres: the refiguration of social thought - Clifford GEERTZ
9 What is performance? - Marvin CARLSON
10 Life the movie - Neal GABLER
11 Marina Abramović: witnessing shadows - Peggy PHELAN
Part III: Ritual
12 Liminality and communitas - Victor TURNER
13 'Performance' and other analogies - Catherine BELL
14 'The blood that runs through the veins': the creation of identity and a client's experience of Cuban-American Santería Dilogún divination - Michael Atwood MASON
15 Saint Orlan: ritual as violent spectacle and cultural criticism - Alyda FABER
16 Performance commemoratives, the personal, and the public: spontaneous shrines, emergent ritual - Jack SANTINO
Part IV: Play
17 The nature and significance of play as a cultural phenomenon - Johan HUIZINGA
18 A theory of play and fantasy - Gregory BATESON
19 The ambiguity of play: rhetorics of fate - Brian SUTTON-SMITH
20 Just doing - Allan KAPROW
21 Falling apart to stay together: deep play in the Grand Marais Mardi Gras - Barry Jean ANCELET
Part V: Performativity
22 How to do things with words: lecture II - J.L. AUSTIN
23 Excerpt from 'Signature Event Context' - Jacques DERRIDA
24 Performance acts and gender constitution: an essay in phenomenology and feminist theory - Judith BUTLER
25 Introduction to Performativity and Performance - Andrew PARKER, Eve KOSOFSKY SEDGWICK
26 Theater and anthropology, theatricality and culture - Johannes FABIAN
Part VI: Performing
27 A dialogue about acting - Bertolt BRECHT
28 The actor's technique - Jerzy GROTOWSKI
29 A dream of passion - Lee STRASBERG
30 Presenting and re-presenting the self: from not-acting to acting in African performance - Frances HARDING
31 Reconsidering Stanislavsky: feeling, feminism, and the actor - Rhonda BLAIR
Part VII: Performance processes
32 First attempts at a stylized theatre - Vsevolod MEYERHOLD
33 The oral artist: training and preparation - Isidore OKPEWHO
34 The performance text - Marco DE MARINIS
35 The deep order called turbulence: the three faces of dramaturgy - Eugenio BARBA
36 The archaeology of performance - Mary ZIMMERMAN
Part VII: Global and intercultural performances
37 Performing ethnography - Victor TURNER
38 Of mimicry and man - Homi K. BHABHA
39 Culturas-in-extremis: performing against the cultural backdrop of the mainstream bizarre - Guillermo GOMEZ-PENA
40 Reverend Billy: preaching, protest, and post-industrial flânerie - Jill LANE
41 Performance studies: interventions and radical research - Dwight CONQUERGOOD
42 Translating performance - Diana TAYLOR
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