This publication is the result of an international conference held by the Center for Emergent Cultural Studies, National Chiao Tung University at Taiwan. The papers presented place their emphasis on the conceptualisation of visuality, i.e. how an entity is imagined and seen through visual and spatial means, how such imagination is burdened with political, historical, and cultural meanings, and thus how the visual field is related to the questions of imperialism, postcolonialism, and subjectivities of the colonizer and the colonised.
Includes contributors' biographies, a bibliography and an index.
Onsite
English
visual culture,  postcolonialism,  Asia
2006
390
9789861730905
1
anthology, 
conference proceedings
總序:可見性問題與視覺政體 - Joyce C.H. LIU, 劉紀蕙
影像的檔案屬性
何謂寫實主義中的真實? - Nancy ARMSTRONG
影像與帝國—視覺文化的蕳要系譜 - Nancy ARMSTRONG
小說如何思考 - Nancy ARMSTRONG
回應南西.阿姆斯壯
魔幻思維與次等書寫 - Amie PARRY, 白瑞梅
虛構(小說)/ 攝影何所為? - Dexing CHAN, 單德興
文化差異與主體性
播撒民族—時間、敘事與現代民族的邊緣 - Homi K. BHABHA
探討梅密及後殖民之協力問題 - Homi K. BHABHA
後殖民批評與知識分子—訪談巴巴 - LIAO Pinghui, 廖炳惠
回應荷米.巴巴
「部分認同」與弱勢結盟 - Guifen QIU, 邱貴芬
跨文類與跨文化的中介及協商 - LIAO Pinghui, 廖炳惠
關於〈探討梅密及後殖民之協力問題〉 - LIAO Zhaoyang, 廖朝陽
亞洲與西方
主體與/或「主体」(shutai)及康化差異之銘刻 - Naoki SAKAI, 酒井直樹
回應酒井直樹
論「國際學術分工」中的「我們」與他們—西歐(研究)到底是指誰(什麽)? - CHEN Yilun, 陳奕麟
所謂「文化差異」的再印刻—回應酒井直樹 - Jon SOLOMON
What does this mean?
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.