This is a booklet for the solo exhibition for Taiwanese artist Niu Chun Chiang (Nat Niu) titled "cover - Niu Chung-chiang Solo Exhibition II" held from August to September 2012 at Taipei Fine Arts Museum.
'Reflecting the changes in his love life, family and physical conditions, he turns the exhibition venue into one work to explore the meaning of "disappearance" in man's existence. For Nat Niu, when something is "over", it only means that it is temporarily "covered", but it will not disappear forever.' - from Foreword.
Include artist's writings between the plates, and a biography.
「抵達時盡頭時，我們將聚集在洞穴處」這本的畫冊，匯集了牛俊強過去創作中，不斷出現的陰性臉孔。從挑選圖像到編排，它自成了一個追溯原型的過程。
情感與記憶是牛俊強創作中重要的來源，陰性面孔則是他作品情感的載體。在過去牛俊強創作中，陰性暗喻了神祕、未知，也昭示著一個模糊曖昧的終結。探究這個終結的動力驅使藝術家不斷向自己內部探索。
內文是請藝術家的母親，翻出她過去的日記中，記載牛俊強的幾段回憶。就如其中一段的藝術家小時候放紙船的描寫：地球是圓的，長大後我們必重逢。所發生的不會因為時間抹滅，它們將以不同形式在我們生命中重新召回。(載自台北市立藝術館網頁)
'Reflecting the changes in his love life, family and physical conditions, he turns the exhibition venue into one work to explore the meaning of "disappearance" in man's existence. For Nat Niu, when something is "over", it only means that it is temporarily "covered", but it will not disappear forever.' - from Foreword.
Include artist's writings between the plates, and a biography.
「抵達時盡頭時，我們將聚集在洞穴處」這本的畫冊，匯集了牛俊強過去創作中，不斷出現的陰性臉孔。從挑選圖像到編排，它自成了一個追溯原型的過程。
情感與記憶是牛俊強創作中重要的來源，陰性面孔則是他作品情感的載體。在過去牛俊強創作中，陰性暗喻了神祕、未知，也昭示著一個模糊曖昧的終結。探究這個終結的動力驅使藝術家不斷向自己內部探索。
內文是請藝術家的母親，翻出她過去的日記中，記載牛俊強的幾段回憶。就如其中一段的藝術家小時候放紙船的描寫：地球是圓的，長大後我們必重逢。所發生的不會因為時間抹滅，它們將以不同形式在我們生命中重新召回。(載自台北市立藝術館網頁)
Alternative title
Di da jin tou shi, wo men jiang zu ji zai dong xue qu
Access level
Onsite
editor
Location code
MON.NCC2
Language
Chinese - Traditional,
English
Keywords
Publication/Creation date
2012
No of pages
56
ISBN / ISSN
9789860333251
No of copies
2
Content type
artist monograph,
catalogue
Chapter headings
And the Finis is... On the Femininity, Mystery, Unknown Faces in Niu Chun-chiang's Works / 終點處乃是: 論牛俊強作品裡，陰性，神秘，不可知的臉 - Wenchi CHENG, 鄭文琦
When We Reach the End, We'll Assemble in the Cave, 抵達盡頭時，我們將聚集在洞穴處
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