The present issue features a section, comprising 5 essays and a transcription of the symposium by Paloma Campbell, devoted to the exhibition and symposium, Gu Wenda: From Middle Kingdom to Biological Millennium, held at the Kansas City Art Institute in 2003.
Detailed cataloguing of artists in progress...
Onsite
English
diaspora,  photography,  conceptual photography,  perennial exhibition
2003
In print
16833082
1
magazine/journal/newspaper
Singapore, Shanghai, Jakarta, Kansas City - Raechell SMITH
China Reinvented: The Art of Overseas Chinese Artists in the United States - Melissa CHIU, 招穎思
Why Hair? - Gan XU
New and Old: Gu Wenda's Art and Chinese Traditions - Xiaoneng YANG
Gu Wenda's United Nations: A Consideration of Two Monuments - David CATEFORIS
Beyond the Body - Mark H.C. BESSIRE
Landscape as a Cultural Consciousness in Contemporary Chinese Art - SHEN Kuiyi, 沈揆一
Swinging on Hyphenation: An Inquiry into the Construct of an Asian American Art - WANG Shipu
Ornament as Knowledge, Ornament as Desire: The Art of Emily Cheng - Jonathan GOODMAN
A Strange Heaven: Contemporary Chinese Photography - CHANG Tsongzung Johnson, 張頌仁
The Cement of Hong Kong - LAU Kin Wah Jaspar, 劉建華
The Leftovers of Translation: The Works of Shen Yuan - Gilane TAWADROS
Review of the Inaugural Beijing Biennale - Karen SMITH
Tseng Kwong Chi at Chambers Fine Art - Jonathan GOODMAN
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