A tribute to Jonathan Napack

Death and destruction in Bangkok - Jonathan NAPACK

Yishu interview with Jonathan Napack, Basel, Switzerland, June 13, 2001

An art market with Chinese characteristics - Jonathan NAPACK

Taipei Biennial 2006 - KENDZULAK Susan, 康居易

Writing on the wall (and entry gate): a critical response to recent curatorial meditations on the 'Chineseness' of contemporary Chinese visual art - Paul GLADSTON

Starting from zero: Wang Jianwei - CHAN Hoyeung David, 陳浩揚

Shock and awe: an interview with Cai Guo-Qiang - John K. GRANDE

A conversation with Shen Yuan (translated by Wanja Laiboni) - Cecile BOURNE-FARRELL

The poetics of engagement: Ed Pien and the three-dimensional world - Joni LOW, 劉植紅

Documenta 12 magazines feature on education

A response to the Yan'an Forum on education in China - Lisa NORTON

Interview with Zhu Naizheng - ZHENG Shengtian, 鄭勝天

Cultures of assessment: distinctive characteristics of assessment in U.K. art and design higher education and their implementation in China - Raz BARFIELD, Allan WALKER

Some thoughts on art game: an experience of agency in contemporary art - Christina YU, 喻瑜

Building a contemporary art 'Campus aircraft carrier': a discourse on how to encourage contemporary questions about art among Taiwanese youth (translated by Stan Blewett) - LIN Ping, 林平

Potentially wise? The boom in Hong Kong contemporary arts education - LAU Kin Wah Jaspar, 劉建華

VITAL: International Chinese Live Art Festival, reflecting on contemporary practices - Andrew MITCHELSON

China Power Station: part 1, Serpentine Gallery offsite project at the Battersea Power Station - Nav HAQ

Review of 3030: new photography in China - Philip TINARI, 田霏宇

Cityscapes, crazy consumption, and collective memory: Chen Shaoxiong's mimetic reality - Rosalind HOLMES