With features of the first Guangzhou Triennial and the Shanghai Biennale (held in China in 2002), the 2003 Venice Biennale, exhibitions Mariko Mori's Wave UFO and The American Effect: Global Perspectives on the United States, 1999-2003, both held in the United States in 2003.
Onsite
AI Weiwei, 艾未未, 
Atelier Bow-Wow, アトリエ・ワン, 
CHAN Yau Kin Alan, 陳幼堅, 
CHEN Yanyin, 陳妍音, 
FENG Feng, 馮鋒, 
GU Wenda, 谷文達, 
HU Jieming, 胡介鳴, 
HU Youben, 胡又笨, 
HUA Jiming, 華繼明, 
HUANG Yihan, 黃一瀚, 
KANG Yongsuk, 강용석, 
Tadashi KAWAMATA, 川俣正, 
LIN Tianmiao, 林天苗, 
LIN Yilin, 林一林, 
LIU Jin, 劉瑾, 
Mariko MORI, 森万里子, 
Navin RAWANCHAIKUL, นาวิน ลาวัลย์ชัยกุล, 
Shirana SHAHBAZI, 
SONG Dong, 宋冬, 
TANG Hui, 唐暉, 
Hisashi TENMYOYA, 天明屋尚, 
TSE Sumei, 謝素梅, 
Kosuke TSUMURA, 津村耕祐, 
WANG Gongxin, 王功新, 
WANG Guangyi, 王廣義, 
WANG Jin, 王晉, 
WONG Hoycheong, 黃海昌, 
XIANG Liqing, 向利慶, 
XING Danwen, 邢丹文, 
XU Bing, 徐冰, 
YANG Maoyuan, 楊茂源, 
YANG Qirui, 楊奇瑞, 
YUAN Goang-ming, 袁廣鳴, 
ZHAN Wang, 展望, 
ZHANG Hongtu, 張宏圖, 
ZHANG Jianjun, 張健君, 
ZHANG Xiaogang, 張曉剛, 
ZHAO Liang, 趙亮, 
English
Sep 2003
In print
00043214
1
magazine/journal/newspaper
Report from China: the Wild, Wild West - Richard VINE
On-Site: Dream Machine - Eleanor HEARTNEY
Venice Biennale:'Every IDea But One' - Marcia E. VETROCQ
America, Real and Imagined - Eleanor HEARTNEY
What does this mean?
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.