Experimenting with the possibilities of curatorial education and its potential to impact cultural development, the second CAFAM Biennale brings together local and international curators who work independently to present six distinct but related exhibitions that feature artworks from 68 artists and groups.  The themes of the six exhibitions are: 'Game Theory' curated by Angela Jerardi, 'The Code of The Golden Bough - Economic of Witchcraft, Soul, and Faces' curated by Hu Danjie, 'No Puppet is Dumber than its Puppeteer' curated by Kit Hammonds, 'The Museum Cellar' curated by Ma Nan, 'On Ambiguity and Other Forms to Play with' curated by Veronica Valentini, and 'Parliament of Things, or, Wandering in a Continuously Bewildering Wonder' curated by Weng Xiaoyu. The exhibition also includes a section on 'Curatorial Genealogy'.

With floor plans and event schedule.
Alternative title

Wu xing de shou: ce zhan zuo wei li chang - di er jie CAFAM shuang nian zhan

Access level

Onsite

Location code EXS.CHN.CAF.2014
Language

Chinese - Simplified, 

English

Publication/Creation date

2014

No of pages

71

ISBN / ISSN

Nil

No of copies

1

Content type

catalogue

The Invisible Hand: Curating as Gesture - The 2nd CAFAM Biennale
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In Copyright

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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

The Invisible Hand: Curating as Gesture - The 2nd CAFAM Biennale, 無形的手:策展作為立場 - 第二屆CAFAM雙年展

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