'When does a painting cease to be a painting? Can a painting be rendered through analogue and digital technologies? Is a moving painting a perversion of painting? Does painting have an inherently performative aspect? The essays and interviews gathered here analyze the potential of the “pictorial as moving image” in our mass media and technology-driven society. With works by leading international artists, this survey challenges our formal and iconographic conception of the pictorial in contemporary visual art as it is redefined by film, video, animation, and performance.' - from back cover.

Includes interviews with Paco Barragán, Sam Taylor-Wood, Ori Gersht, A K Dolven, Fabián Marcaccio, and Crispin Gurholt.

Access level

Onsite

Location code
REF.WES2
Language

English

Keyword
Publication/Creation date

2011

No of pages

76

ISBN / ISSN

9788881588169

No of copies

1

Content type

anthology

Chapter headings

Painting and the Moving Image: A Little-Big History

- Francisco Javier Panera CUEVAS

Iconographical Reformulations of Painting in Contemporary Art

- Selene WENDT

Let's Per-form! Form and Performance of the Pictorial as Moving Image

- Paco BARRAGAN

Painting Time

- Fabian MARCACCIO

When a Painting Moves... Something Must Be Rotten!
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In Copyright

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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

When a Painting Moves... Something Must Be Rotten!