Documents opens with a pictorial record by Shigeo Anzai, the official photographic documenter of Yokohama 2005, who has sought to portray the exhibition form the visitor's perspective. There follows a rich variety of Triennale data, from a transcription of the international symposium that marked the exhibition's opening to the production schedules of each exhibiting artist and a record of all events and performances held during the exhbition, plus a statement of accounts issued after Triennale ended and excerpts from visitor questionnaires.
横浜トリエンナーレ2005ドキュメント
Onsite
Taisuke ABE, 安部泰輔, 
Ashiya City Museum Of Art & History, 芦屋市立美術博物館 (Ashiya, Japan), 
Atelier Bow-Wow, アトリエ・ワン, 
CHEN Xiaoyun, 陳曉雲, 
CHEN Zhen, 陳箴, 
COUMA, 
Gansomaeda, 
graf, 
Sadaharu HORIO, 堀尾貞治, 
Keiichi IKEMIZU, 池水慶一, 
Shigeaki IWAI, 岩井成昭, 
Mella JAARSMA, 
JIANG Jie, 姜傑, 
Sora KIM, 김소라, 
Kimsooja, 김수자, 
Takehito KOGANEZAWA, 小金沢健人, 
Kosuge 1-16, コスゲ1-16, 
KUKI - On-Site Art Squad, 
Akihiro KURODA, 黒田晃弘, 
Long March Foundation, 長征基金會, 
Chie MATSUI, 松井智惠, 
MIKAN, みかんぐみ, 
Eriko MOMOTANI, 桃谷恵理子, 
Tomoko MUKAIYAMA, 向井山朋子, 
Yoshitomo NARA, 奈良美智, 
Tazro NISCINO, 西野竜郎, 
Makoto NOMURA, 野村誠, 
Yukihiro NOMURA, 野村幸弘, 
Jun OENOKI, 
Kengsen ONG, 
Open Circle, 
Pyuupiru, 
Hiraki SAWA, さわひらき, 
Shintai Hyougen circle, 身体表現サークル, 
SOI Project, 
Jiro TAKAMATSU, 高松次郎, 
Tadasu TAKAMINE, 高嶺格, 
K. TANISHI, タニシK, 
Kaori TAZOE, 田添かおり, 
Yuken TERUYA, 照屋勇賢, 
The SINE WAVE ORCHESTRA, 
Volunteer group Tomato, ボランティアグループ「とまと」, 
WANG Te-Yu, 王德瑜, 
Warehouse Keepers, 上屋番, 
YAO Jui-Chung, 姚瑞中, 
Toshihiro YASHIRO, 屋代敏博, 
YOKOCOM, ヨココム, 
Tomoko YONEDA, 米田知子, 
English, 
Japanese
perennial exhibition,  Thailand,  South Korea,  Taiwan,  India,  China,  Japan,  Singapore,  Indonesia
2006
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