'This essay demonstrates the ways in which the official Museum of Art in Hong Kong realizes its strategies and influences of identity formation by using its resources and representative position in both colonial and postcolonial spaces. [...] Through a historical survey and investigation of some displays of art there, the essay shows how the museum incorporates the concept of cultural identity, challenges its stability and hegemony, and reformulates its meaning and content.' (excerpt from the abstract)
This article by Eva Man Kit-wah is in a downloaded printed format.
Access level
Onsite
author
publisher
Language
English
Keyword
Publication/Creation date
Jan 2011
Source of publication
Visual Anthropology, Jan 2011, Issue 24, pp. 90–105
Content type
clipping,
essay
A Museum of Hybridity: The History of the Display of Art in the Public Museum of Hong Kong, and Its Implications for Cultural Identities
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