Providing a critical mapping of ideas and practices that have shaped the development of Chinese art, Gladston shows how these combine to bind it to the structure of power and state both within and outside of China. Focusing principally on art produced by artists from mainland China—including painting, film, video, photography, and performance—he also discusses art created in Taiwan, Hong Kong, Macau, and diasporic communities.' - from the University of Chicago Press website
Includes glossary of Chinese names and bibliography.
Onsite
English
art history,  politics,  censorship,  China
2014
318
9781890232690
1
monograph
Introduction
1 Chinese Art in Context
Cultural Interaction and Exchange from Antiquity to the Mid-twentieth Century
Realist and Modernist Art in China, 1911–1948
Socialist-Realist and Revolutionary Art in the People's Republic of China, 1949-1977
2 Modern (Contemporary) Chinese Art, 1976–1989
The Early Development of Modern (Contemporary) Chinese Art
Avant-garde Art in the People's Republic of China
The Dissolution of the '85 Movement
3 Contemporary Chinese Art, 1990-2001
Contemporary Chinese Art after Tiananmen
The Internationalization of Contemporary Chinese Art
Experimental Art and Social Transformation in the People's Republic of China
4 Contemporary Chinese Art, 2002-2013
Contemporary Chinese Art on the Global Stage
Contemporary Chinese Art and Contemporaneity
The Political Recuperation of Contemporary Chinese Art
What does this mean?
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.