Wu Hung leads us through an array of traditional and contemporary visual materials, including paintings, architecture, photography, prints and cinema. A Story of Ruins shows how ruins are integral to traditional Chinese culture in both architecture and pictorial forms. It traces the changes in their representation over time, from indigenous methods of recording damage and decay in ancient China, to realistic images of architectural ruins in the nineteenth and twentieth centuries, to the strong interest in urban ruins in contemporary China, as shown in the many artworks that depict demolished houses and decaying industrial sites. The result is an original interpretation of the development of Chinese art, as well as a unique contribution to global art history.' (Front flap)
Includes references and list of works cited. Artists discussed extensively are listed below.
Onsite
HUANG Rui, 黃銳, 
Rong Rong, 榮榮, 
SONG Dong, 宋冬, 
SUI Jianguo, 隋建國, 
YIN Xiuzhen, 尹秀珍, 
ZHAN Wang, 展望, 
English
architecture,  art history,  visual culture,  China
2012
296
9781861898760
1
monograph
1 Internalizing Ruins: Premodern Sensibilities of Time Passed
Where Are the Ruins in Traditional Chinese Art?
Qiu and Xu: Erasure and Remembrance
The Stele and Withered Trees: Painting and Poetry on 'Lamenting the Past'
Rubbing as Surrogate Ruin
Ji: Traces in Landscape
2 The Birth of Ruins: Inventing a Modern Visual Culture in China
Circulating Picturesque Ruins
War Ruins: Conquering and Survival
The Destruction, Ruination and Resurrection of the Garden of Perfect Brightness (Yuanming Yuan)
3 Between Past and Future: Transience as a Contemporary Aesthetic of Ruins
Signifiers of Despair and Hope
Representing Contemporary Ruins
Coda: State Legacy
A Story of Ruins: Presence and Absence in Chinese Art and Visual Culture

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