'Combining Jose Rizal's "Quiapo Fair" (first published 1891) and artworks produced by artists Renato Habulan and Alfredo Esquillo Jr., the exhibition traces the life-worlds of Plaza Miranda, which fronts the Minor Basilica of the Black Nazarene (Quiapo Church), one of the main churches of the City of Manila. Considering how Plaza Miranda acts as a site for numerous interests, ranging from political and cultural discourse to established traditions of fortune telling, the exhibition connects both artists and their materials to not just as something being observed, but also to the conditions of their observations, where the very act of observation becomes an end that at once implicates but also detaches. By some oblique process, presence also becomes semblance, leading to question, if any act of observation can ever remain unmediated. ' - from museum's website.
While Habulan's works draw onto the societal dimensions of the plaza, Esquillo takes the site as a place which expresses overwhelming power and affirms a sense of the personal indubitable in its authenticity. Curator Shabbir Hussain Mustafa introduces a chapter from Jose Rizal's El Filibusterismo to accompany the exhibition.
Includes artist's biographies.
Onsite
English
cityscape,  space,  religion,  architecture,  mixed media,  oil painting,  installation,  group exhibition
2012
47
9789810743161
2
catalogue
Procession: Crossing of Paths - Patrick D. FLORES
Piety and Place: Terrains of Faith in the Art of Renato Habulan and Alfredo Esquillo Jr. - Tessa Maria GUAZON
Semblance/Presence: Four Propositions - Shabbir Hussain MUSTAFA
Semblance/Presence: Renato Habulan and Alfredo Esquillo Jr.

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