'Since the lifting of Martial Law in the 1980s, Taiwan has entered a new dimension of social, political, and artistic thought. All kinds of value changes in society have been developing faster than people can imagine or realize. In particular, during the 1990s, conventionally established norms were challenged by accelerated reform, affecting all aspects of daily life. Regardless of people's jobs, lifestyles, social positions, or goals, becoming a social icon emerged as the most effective way to be heard, to be seen, and above all, to be guaranteed success and prominence in Taiwan. This trend brings forth the dynamic and exiting drives for progress in society.

In the midst of the transient icons that make up the tentative nature of society, Taiwanese contemporary artists, writers, filmmakers have explored the social phenomena of iconoclasm, neo-iconolatry, and even anti-iconoclasm.[...]The project "Icon, Iconoclasm, Neo-Iconolatry: An Interpretation of Taiwan's Contemporary Art, Literature, and Films of the Past Decade" examines the ongoing artistic trend to make reflections on social culture, particularly in connection with the themes of history, social values, gender issues, and identity.' - excerpt from Preliminary Remarks by Heather C.H. Ho, co-organiser

This catalogue includes an essay by curator Jason J.C. Wang, descriptions of the artworks and films, and proceedings of the symposium held in conjunction with the exhibition.