'The culture of Hong Kong encompasses Jackie Chan and John Woo, British colonial architecture and postmodern skyscrapers. Ironically, it was not until they were faced with the imposition of Mainland power—with the signing of the Sino-British Joint Agreement in 1984—that the denizens of the colony began the search for a Hong Kong identity. According to Abbas, Hong Kong's peculiar lack of identity is due to its status as "not so much a place as a space of transit," whose residents think of themselves as transients and migrants on their way from China to somewhere else. In this intriguing and provocative exploration of its cinema, architecture, photography, and literature, Ackbar Abbas considers what Hong Kong, with its unique relations to decolonisation and disappearance, can teach us about the future of both the colonial city and the global city.' (back cover)

Includes bibliography and index.
Access level

Onsite

author

Ackbar ABBAS

Location code REF.ABA
Language

English

Publication/Creation date

1997

No of pages

168

ISBN / ISSN

9780816629251

No of copies

1

Content type

monograph

Chapter headings
Introduction: Culture in a Space of Disappearance
The New Hong Kong Cinema and the Deja Disparu
Wong Kar-wai: Hong Kong Filmmaker
Building on Disappearance: Hong Kong Architecture and Colonial Space
Photographing Disappearance
Writing Hong Kong
Coda: Hyphenation and Postculture
Hong Kong: Culture and the Politics of Disappearance
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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

Hong Kong: Culture and the Politics of Disappearance

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