'The culture of Hong Kong encompasses Jackie Chan and John Woo, British colonial architecture and postmodern skyscrapers. Ironically, it was not until they were faced with the imposition of Mainland power—with the signing of the Sino-British Joint Agreement in 1984—that the denizens of the colony began the search for a Hong Kong identity. According to Abbas, Hong Kong's peculiar lack of identity is due to its status as "not so much a place as a space of transit," whose residents think of themselves as transients and migrants on their way from China to somewhere else. In this intriguing and provocative exploration of its cinema, architecture, photography, and literature, Ackbar Abbas considers what Hong Kong, with its unique relations to decolonisation and disappearance, can teach us about the future of both the colonial city and the global city.' (back cover)

Includes bibliography and index.

Access level

Onsite

author
Location code
REF.ABA (Hong Kong Room)
Language

English

Publication/Creation date

1997

No of pages

168

ISBN / ISSN

9780816629251

No of copies

2

Content type

monograph

Chapter headings

Introduction: Culture in a Space of Disappearance

The New Hong Kong Cinema and the Deja Disparu

Wong Kar-wai: Hong Kong Filmmaker

Building on Disappearance: Hong Kong Architecture and Colonial Space

Photographing Disappearance

Writing Hong Kong

Coda: Hyphenation and Postculture

Hong Kong: Culture and the Politics of Disappearance
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In Copyright

What does this mean?

This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

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Hong Kong: Culture and the Politics of Disappearance

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