The Nanjing International Art Festival was launched in 2014 by the Nanjing Baijia Lake International Culture Investment Group. The third edition focuses on the phenomenon of globalization and its weighty consequences and contradictions for societies and individuals. 419 works by 315 artists were selected by an international curatorial team to trace a process which borrows from worthy traditional concepts and incorporates the current and future responsibilities of 'supply'.
Note: This volume is a collection of essays by the curatorial team and is not a catalogue of the exhibited works.
Onsite
English
2016
343
9788857234403
1
anthology
Aspirations for Nanjing
- YAN Lugen, 嚴陸根
Examining Today's Historical Background
- LV Peng, 呂澎
Chinese Contemporary Art Since 1989
- LV Peng, 呂澎
History as Contemporary Code
- Letizia RAGAGLIA
An Analysis of Recent Developments in Chinese Contemporary Art
- DU Xiyun, 杜曦雲
Curatorial Practice: Four Paths to Provision
- FU Xiaodong, 傅曉東
Transformation of Significatory Paradigms in Chinese Contemporary Art: The Blurred and the Absent
- HE Guiyan, 何桂彥
A Movement Bereft of Its Frontline
- Carol Yinghua LU, 盧迎華
HISTORICODE as an Attempt at Decoding History
- Heidi BALLET
Scarcity and Supply
- LEE Janguk
Questioning the World through Art, Answering with Art
- Nathalie Boseul SHIN, 신보슬
Setting Out from Nanjing
- GU Chengfeng, 顧丞峰
Time Scale
- Katie GEHA
HISTORICODE
- LV Peng, 呂澎
Historicode: Scarcity and Supply - Issues Concerning Art in the Globalization (Collected Papers of the Third Nanjing International Art Festival)
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