Landscape Improvisation: Dialogue between Printmaking and Painting

A monograph of Hong Kong artist Ma Kwaishun who specialises in ink painting and print-making. The present publication brings together a number of essays written by Ma on various topics including theory and studio practice, influence of the West, works by old masters in Chinese traditional ink paintings, improvisation of the landscape painting tradition, etc. Images of his artworks are presented in Part II. Artist biography and bibliography are provided.

Access level

Onsite

artist

MA Kwai Shun, 馬桂順

author

MA Kwai Shun, 馬桂順

publisher

Art Horizon Printmaking Workshop (Hong Kong)

Location code

MON.MKS

Language

Chinese - Traditional,

English

Keyword

ink painting, printmaking, landscape, painting

Publication/Creation date

2004

No of pages

154

ISBN / ISSN

98879708345

No of copies

Content type

artist monograph

Chapter headings

Reflection on theory and studio practice

Revisit thinking of Daoism

Dong Qi Chang and Gong Xian: Aesthetic issues in Chinese Painting

Impact of Western art on contemporary Chinese painting

Implications of Chinese folk prints and contemporary prints

Landscape improvisation: significance of photography and drawing

Dialogue between printmaking and painting: Integration of water-based printmaking with painting

Landscape Improvisation: Dialogue between Printmaking and Painting

Citation

Rights statement

In Copyright

What does this mean?

This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

Collections

Landscape Improvisation: Dialogue between Printmaking and Painting, 山水隨想：印與畫的對話