'Baxandall’s work had a transformative effect on the study of European Renaissance and eighteenth-century art, and contributed to a complex transition in the aims and methods of art history in general during the 1970s, ‘80s and ‘90s. While influential, he was also an especially subtle and independent thinker - occasionally a controversial one - and many of the implications of his work have yet to be fully understood and assimilated. This collection of 10 essays endeavors to assess the nature of Baxandall’s achievement, and in particular to address the issue of the challenges it offers to the practice of art history today.' - from back cover.                        

Includes notes on contributor, and an index.
Alternative title

Studies in Art Historiography

Access level

Onsite

Location code
REF.MAP2
Language

English

Publication/Creation date

2015

No of pages

175

ISBN / ISSN

9781472442789

No of copies

1

Content type

anthology

Chapter headings

Introduction: Of Tact and Moral Urgency

The Visual Conditions of Pictorial Meaning - Alex POTTS

'To Do a Leavis on Visual Art': The Place of F.R. Leavis in Michael Baxandall's Intellectual Formation - Jules LUBOCK

Baxandall and Gramsci: Pictorial Intelligence and Organic Intellectuals - Alberto FRIGO

Art History, Re-Enactment, and the Idiographic Stance - Whitney DAVIS

Inferential Criticism and Kunstwissenschaft - Robert WILLIAMS

The Presence of Light - Paul HILLS

Printing and Experience in Eighteenth-Century Italy - Evelyn LINCOLN

Pattern and Individual: Limewood Sculptors and A Grasp of Kaspar - Peter MACK

Michael Baxandall's 'Stationing' - Elizabeth COOK

Michael Baxandall, Vision and the Work of Words
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Michael Baxandall, Vision and the Work of Words