In this issue, with contribution from Anthony Leung, Chan Kai Yin, Phoebe Man, Kit and Verbal, the contemporary art scene of Macau is featured. Concerning exhibition reviews, Norman Jackson Ford offers his views on Constructed Reality: Conceptual Photography from Beijing, Tse Ming Chong on Frontline Focus 2000, and Yan Pat To on The Gravity of the Immaterial which was the inaugural exhibition of the Institute of Contemporary Art in Taipei. Besides, Siu Yuen Tze gives a short critique on the museum experience and museum docent services provided by museums in Hong Kong.
PS
Onsite
20 Beans + A Box, 廿豆‧盒子畫, 
CANG Xin, 蒼鑫, 
CHANG Mayling, 張美陵, 
CHEN Chengtsai, 陳正才, 
CHEN Long-Bin, 陳龍斌, 
CHU Cheokson James, 朱焯信, 
HAI Bo, 海波, 
HO Joey Chongi, 何仲儀, 
HO Seeman Christine (二犬十一咪), 何詩敏, 
Kent Chikin IEONG, 楊子健, 
Puiian KAN, 簡佩茵, 
Marcello KWAN, 關尚鵬, 
Frank LEI, 李銳奮, 
LEUNG Po Shan Anthony, 梁寶山, 
Michael LIN, 林明弘, 
LIU Jin, 劉瑾, 
MA Liuming, 馬六明, 
MAN Ching Ying Phoebe, 文晶瑩, 
TSANG Tak Ping Kith, 曾德平, 
UNG Vai Meng, 吳衛鳴, 
WANG Qingsong, 王慶松, 
XUE Li, 薛利, 
CHAN Kai Yin, 陳啟賢, 
Norman Jackson FORD, 傅德明, 
Kit, 
LEUNG Po Shan Anthony, 梁寶山, 
MAN Ching Ying Phoebe, 文晶瑩, 
Siu Yuen Tze, 小玄子, 
TSE Ming Chong, 謝明莊, 
Verbal, 
Chinese - Traditional, 
English
art criticism,  independent art space,  photography
2002
In print
2
magazine/journal/newspaper
Old Ladies House – Re Incarnating Old Ladies Aesthetics - LEUNG Po Shan Anthony, 梁寶山
On a Few Works in Old Ladies House - Macau - MAN Ching Ying Phoebe, 文晶瑩
Talking about Love in Macau - CHAN Kai Yin, 陳啟賢
“Art Installation is Easy to See” – Santa Casa de Misericordia - Kit
Chilled Lemon Tea - Verbal
Re-structuring the Real: Recent Lens-based Work from Beijing - Norman Jackson FORD, 傅德明
導賞機與導賞員 - Siu Yuen Tze, 小玄子
Frontline Focus 2000 – Umpires Playing Football - TSE Ming Chong, 謝明莊
The Shift of Heaviness and Lightness – A Short Critique on …“The Gravity of the Immaterial” - YAN Pat To, 甄拔濤
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