Onsite
BAO Dong, 鮑棟, 
Jo Anne BIRNIE DANZKER, 
CHEN Hsiangchun Elsa , 陳香君, 
John CLARK, 姜苦樂, 
Britta ERICKSON, 林似竹, 
Jonathan GOODMAN, 
KAO Chienhui, 高千惠, 
Melissa LAM, 林嘉敏, 
Sohl LEE, 
Long March Writing Group, 長征寫作組, 
Micki McCOY, 
Barbara POLLACK, 
English
archive,  propaganda art,  poster art,  ethnicity,  revolution,  perennial exhibition
2009
In print
16833082
2
magazine/journal/newspaper
Autumn 2008 Asian Biennials:
Premature Farewell and Recycled Urbanism: Guangzhou Triennial and Shanghai Biennale in 2008 - Hilary TSUI, 徐美華
Post-West: Guangzhou Triennial, Taipei Biennial, and Singapore Biennale - Jo Anne BIRNIE DANZKER
Contemporary Asian Art and the Phenomenon of the Biennial:
Introduction - CHEN Hsiangchun Elsa , 陳香君
Biennials and the Circulation of Contemporary Asian Art - John CLARK, 姜苦樂
Periodical Exhibitions in China: Diversity of Motivation and Format - Britta ERICKSON, 林似竹
Who's Speaking? Who's Listening? The Post-colonial and the Transnational in Contestation and the Strategies of the Taipei Biennial and the Beijing International Art Biennale - KAO Chienhui, 高千惠
Contradictions, Violence, and Multiplicity in the Globalization of Culture: The Gwangju Biennale - Sohl LEE
The Imagined Trans-Asian Community and the Fukuoka Asian Art Triennale - CHEN Hsiangchun Elsa , 陳香君
Artist Features:
Excerpts from Yang Shaobin's Notebook: A Textual Interpretation of X-Blind Spot - Long March Writing Group, 長征寫作組
Li Yifan: From Social Archives to Social Project - BAO Dong, 鮑棟
Art During the Cultural Revolution:
Art and China's Revolution - Barbara POLLACK
Zheng Shengtian and Hank Bull in Conversations about the Exhibition Art and China's Revolution, Asia Soceity, New York
Red, Smooth, and Ethnically Unified: Ethnic Minorities in Propagada Posters of the People's Republic of China - Micki McCOY
Reviews:
Chen Jiagang: The Great Third Front (Paris-Beijing Photo Gallery, Beijing) - Jonathan GOODMAN
AAA Project: Review of A-Z, 26 Locations to Put Everything (Shop G10 Hollywood Center, Hong Kong) - Melissa LAM, 林嘉敏
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