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About & Submissions
Mimi Khúc interrogates the myth of meritocracy, ableism in the academy, and mental health's insistence on wellness
From Ai Ya Corporation Ltd., an ongoing slice of life comic by Jocelin Kee
Andrea Chu writes about slice of life, everyday routines, and other kinds of stories
Shanna Tan discusses Korean healing fiction, the translation scene in Singapore, and the dream of starting her own bookstore
Michael Leung shares a note on experiments in self-publishing
Shreyasi Pathak considers how crip time shapes the archive
Tara Fatehi interferes with the rhythm by bringing movement and attention into the archive
Larissa Pham traces the origins of her unlanguaged feelings, and the process of coming to terms with them
Ysabelle Cheung connects apocalyptic narratives and reality tv, bookstore closures and writing workshops, fear and death and community and more
Ethan Luk writes about disappearing phone booths, letter writing, daily assemblies, a magnolia alba tree, hotel rooms, and more
Emily Ogden asks how to love in conditions of uncertainty
Jacquelyn Zong-Li Ross introspects on writing, belief, and motherhood during a night walk
Mina Wang Zhou reflects on navigating the aquatics of tension
Sarp Renk Özer of AVTO speaks with Merve Ünsal on cultivating arts organisations from scratch, and helping them survive
Yaniya Lee speaks with two friends about language and power, Blackness and signification, and strategising ways of being
Urvi Kumbhat shares a poem on return without nostalgia, desires playing truant, and living in the ellipses between countries
Urvi Kumbhat shares a poem on listening to the way the body speaks
Summer Kim Lee considers what to carry and what to shed, even in moments of disruption and upheaval
Kang Kang explores the temporalities and ethics of grief work, and losses that refuse “successful mourning”
Amber Jamilla Musser uses an IG alter ego to explore issues around Black femininity and the terms of representation
Sam Chan and Paul C. Fermin keep their hands up and chin down
Lana Lin explores legacies of imperial naming practices, and the urgency to speak out against injustice
Furen Dai charts shifts in language within US census forms across several decades, which speak to larger social transformations
Tao Leigh Goffe and Andrea Chung consider art’s ability to critique traditional histories and envision otherwise futures
Lauren Berlant considers what our bodies, attachments, and solidarities make possible in the midst of structural cruelty
Karen Cheung and Paul C. Fermin write about outsiders, love letters, abjection, reality TV, temporal vibes, art theory babes, etc.
Trisha Low’s lyric ruminations on art writing, gestures of refusal, and the unresolvable desire for shared utopia amidst crisis and collapse
Darian Leader writes about accessing grief through art, and the public dimension to mourning
Eunsong Kim interrogates the labour and material processes of aesthetics, and asks whether art and writing are even necessary
On publishing cultures and trends, conceptualisations of “Asia,” and care and community during the COVID-19 pandemic
Lee Weng Choy writes about memory; exhibitions histories; and the forms, practices, and practicalities of the biennale
Anne Anlin Cheng reconsiders Asiatic femininity, racialised embodiment, and the confusion between persons and things
Minh Nguyen, Carlos Quijon, Jr., and Sharon Lee discuss private infernos, birdsongs, and the fluttering of a moth
Oscar Chan, Lau Hiu Tung, and Eunice Tsang talk about their places of refuge in Hong Kong
Oscar Chan, Lau Hiu Tung, and Eunice Tsang discuss “stalking” Hong Kong, transnational art-making, and curating “Hong Kong” shows
Jiaqi Kang explores the formation of self-awareness through two childhood friends who drift apart