SymposiumRelated Programmes

Organised by Asia Art Archive in collaboration with The University of Hong Kong, this symposium explores how periodicals have fostered conversations around art and emergent forms of visuality in twentieth-century Asia.

Periodicals are exemplary for how they bring technologies of word, image, and print together with notions of aesthetics, practices of viewing, and circuits of dissemination. The adage “modernism began in the magazines” is certainly true for Asia, where print media has been instrumental in taking debates, discourses, and images of art to wide audiences.

Periodicals have been more than just platforms or sites for artistic experimentation and exhibition; they have themselves shaped and staged them. In so doing, periodicals have played a defining role in forming diverse publics for art in Asia.

The papers presented in the symposium explore periodicals in relation to  emerging practices that cut across genres, new nomenclatures and aesthetic propositions, verbal and visual manifestos, the production of alternative publics and communities for art, and other topics.

 

AAA presents a series of talks, discussions, and exhibitions leading up to the symposium. All events are free and open to the public. Sign up to receive updates.

 

 

Symposium

Date: 11–13 Jan 2018
Venue: The University of Hong Kong
Language: Cantonese, English and Mandarin, with simultaneous interpretation provided


Agenda


Thu, 11 Jan 2018
5pm | Keynote
Charles ESCHE, Director of Van Abbemuseum, Eindhoven, and Co-founder of Afterall journal


Fri, 12 Jan 2018

10:30am | War and Alternative Modernities
Michael ERDMAN, Curator, Turkish and Turkic Collections, The British Library
Samina IQBAL, Assistant Professor, Department of Media Studies, Lahore School of Economics
Phoebe SCOTT, Curator, National Gallery Singapore

1:30pm | Underground and Overground
Mervin ESPINA, Program Director, Green Papaya Art Projects, Manila
Anthony LEUNG Po-Shan, PhD in Cultural Studies, The Chinese University of Hong Kong
Hyejong YOO, Art Historian, Seoul


Sat, 13 Jan 2018

10:30am | Aesthetics and Internationalism
Naomi KUROMIYA, PhD Candidate, Department of Art History and Archaeology, Columbia University, New York
CHIANG Poshin, Associate Professor, Department of Art History, Tainan National University of the Arts
Sophia POWERS, PhD in Art History, University of California, Los Angeles

2pm | Intersections of Art and Mass Culture
Spandan BHATTACHARYA, Adjunct Faculty for Film Studies, School of Culture and Creative Expressions, Ambedkar University Delhi
Insoo CHO, Professor, Art Theory Department, School of Visual Arts, Korea National University of Arts
WU Mo, PhD Candidate, History of Chinese Art, The Chinese University of Hong Kong

4pm | Conversation
Li Xianting, Beijing-based Independent Critic and Curator
Moderator: Anthony Yung, Researcher, Asia Art Archive

 

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Related Programmes

Verina Gfader

Residency: 3–10 Dec 2017
Talk: 
Tue, 5 Dec 2017
Venue: A Space, Asia Art Archive, 10/F Hollywood Centre, 233 Hollywood Road, Sheung Wan, Hong Kong

The artist, scholar, and editor Verina Gfader speaks about the Italian avant-garde magazine movement of the 1960s to 1970s; the fictions around the sci-fi fanzine Cheap Truth; and the transmission of knowledge through the archive and paper-making.


Exhibitions

Date: 5 Dec 2017–24 Feb 2018 
Venue: Asia Art Archive Library, 11/F Hollywood Centre, 233 Hollywood Road, Sheung Wan, Hong Kong

Asia Art Archive hosts three exhibitions that explore art periodicals in Asia as tools for criticism, historical research, travel writing, and fiction. AAA team members initiated each of these presentations.

Li Xianting’s Contribution to Art Journals in China | Anthony Yung
Somewhere Along the Line | Karthik K. G. in collaboration with Sneha Ragavan
Fantasy of a Dialogue | Nicole Yuen Lai with work by Au Sow-Yee

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Relevant content

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Call for Papers
Programmes

Call for Papers

Extended Deadline: Tue, 25 Apr 2017

Interview: Li Xianting
Interview: Li Xianting (English subtitles)
Collection

Interview: Li Xianting (English subtitles)

Fine Arts in China (All holdings in AAA)
Fine Arts in China (All Holdings)
Collection

Fine Arts in China (All Holdings)

中國美術報
1985

Meishu (All holdings in AAA)
Meishu (All Holdings)
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Meishu (All Holdings)

美術
1954

Anti-Shows: APTART 1982-84
Anti-Shows: APTART 1982-84
Collection

Anti-Shows: APTART 1982-84

2017

Afterall (All holdings in AAA)
Afterall: A Journal of Art Context & Enquiry (All Holdings)
Collection

Afterall: A Journal of Art Context & Enquiry (All Holdings)

1999

Making Art Global (Part 1): The Third Havana Biennial 1989
Making Art Global (Part 1): The Third Havana Biennial 1989
Collection

Making Art Global (Part 1): The Third Havana Biennial 1989

Rachel WEISS
2011

Making Art Global (Part 2): 'Magiciens de la Terre' 1989
Making Art Global (Part 2): 'Magiciens de la Terre' 1989
Collection

Making Art Global (Part 2): 'Magiciens de la Terre' 1989

Lucy STEEDS
2013

Journal of Arts and Ideas (All holdings in AAA)
Journal of Arts and Ideas (All Holdings)
Collection

Journal of Arts and Ideas (All Holdings)

1983

Shortlist | Art Periodicals in the Philippines, 1970s to 2000s
Shortlist | Art Periodicals in the Philippines, 1970s to 2000s
Resources | Contemporary context

Shortlist | Art Periodicals in the Philippines, 1970s to 2000s

Ringo Bunoan, artist, independent curator, writer, and co-founder of artbooks.ph

china-periodicals2.jpg
Shortlist | Alternative Publishing Platforms of Experimental Art in China: From the 1990s to Mid-2000s
Resources | Contemporary context

Shortlist | Alternative Publishing Platforms of Experimental Art in China: From the 1990s to Mid-2000s

Xie Congyang, Research Associate, Asia Art Archive